Posts Tagged ‘Reviews’

Totally Recalling the Zombies

Tuesday, August 7th, 2012

I am preparing to start the new Nathan Heller book, ASK NOT, which is a sequel to the forthcoming TARGET LANCER. In the weeks between novels (as you may recall I completed COMPLEX 90 shortly before leaving for San Diego Con), I tend to take care of smaller projects that have piled up. This week I’m dealing with a Dick Tracy intro, a serial novel chapter, and a radio script, among other things. Also, I’ve cleaned my office, reorganized the basement “book room” (the repository of my authors’ copies), and removed ten boxes of books from my basement library, culling and thinning, seeking room for new purchases. I also took a trip with Matt Clemens to Chicago on the Mike North project (which has stalled) and welcomed my friend Brad Schwartz and his parents into the Collins manse for a fun Sunday afternoon.

Additionally, Barb and I went into Chicago last week and saw the great British invasion band The Zombies (with key original members, singer Colin Blunstone and keyboardist Rod Argent) at the same fun nightclub, Viper’s Alley, in suburban Chicago where we saw the Vanilla Fudge a while back. The band was great, although a much more laidback act than the Fudge. Blunstone is a brilliant singer who conveys a sense of joy, even bliss, wrapped up in the songs he sings; his constant smile and his manner are sweet in the best sense. Argent as a keyboard player is clearly the best rock has to offer, and he both inspired and intimidated me. The only downside – and this happened to some degree at the Fudge concert – is the behavior of some of the Baby Boomer crowd. They get drunk and behave as if they are at a Poison concert, trying to insert themselves into the performance, whooping and standing up and making devil horns with their arthritic fingers. God save me from the inebriated, particularly the Baby Boomer inebriated.

The Zombies
Photo by Daniel Veintimilla of Creative Loafing

Barb and I have also gone to a number of movies, and of course last week I commented on the Batman movie, which the critics love and I don’t. We saw the TOTAL RECALL remake, from the director of the entertaining UNDERWORLD series, and the critics mostly hate it. Yet it’s an extremely entertaining, well-made, twisty yet largely coherent action film with some BLADE RUNNER trappings, befitting the Phillip K. Dick source material. Not a great film, TOTAL RECALL nonetheless does everything the BATMAN film tries to but actually accomplishes it. Naturally, the nerds and the critics hate TOTAL RECALL even while extolling THE DARK KNIGHT RISES as one of the greatest films of all time.

My lapse into film reviewing (a habit I have tried to kick) got Ed Gorman’s attention in this nice write-up at his great blog.

Finally, “Skin” got another good review, interestingly from a reader who had never encountered Mike Hammer before (and found the experience something of a shock!).

M.A.C.

Friday Night Lights

Tuesday, July 31st, 2012

FRIDAY NIGHT LIGHTS

I have lately late at night been binge-watching the series FRIDAY NIGHT LIGHTS, which I had heard for years was excellent but just hadn’t got around to. I picked up the boxed set of all five seasons at a Half-Price Books and got caught up in what is superficially a teenage soap opera with a football background but is actually as good a dramatic series as I’ve ever seen on television. As much as I like THE SOPRANOS and MAD MEN, the good heart and skillful storytelling displayed in this sentiment-filled (but not sentimental) series reminds me how easy it is in writing to fall back on cheap-shot cynicism, snarky irony and the dark side. The naturalistic acting and the character-driven plotting show how empty and soulless are the likes of BOARDWALK EMPIRE and HOUSE OF LIES. There’s a lot of talent on display in front of and in back of the lights, with eavesdropping hand-held cameras and an evocative guitar-dominated score by W.G. “Snuffy” Walden (of the similarly excellent WEST WING).

Because the producers and writers knew that the fifth season was their last, they brought back characters from previous seasons (it’s a high school story, so characters graduate and move on) and wrapped up the entire story in a longer-than-usual episode that is my candidate for the best and most satisfying final show in a serial. Kyle Chandler and Connie Britton as the coach and his wife are responsible (along with the writers, of course) for what is the most realistic and believable marriage ever depicted on television.

One of the reasons I finally watched the show was Taylor Kitsch’s role in it – I was impressed with Kitsch in both JOHN CARTER and the surprisingly good BATTLESHIP (directed by Peter Berg, the director/writer of the film FRIDAY NIGHT LIGHTS and creator of the TV version). Kitsch’s Tim Riggins is a memorable creation, breathing life into the cliche of the seemingly doomed working-class high school sports hero whose glory days will soon be behind him. This is a charismatic and talented actor, who would make a fine Nate Heller. He’s in Oliver Stone’s SAVAGES (from the Don Winslow novel) right now, which I haven’t seen yet. Somehow I imagine it’s not going to be as heartwarming as FRIDAY NIGHT LIGHTS.

Speaking of stories that aren’t heartwarming, the Spillane/Collins novella “Skin,” available only as an e-book, continues to wrack up nice reviews, like this one.

And MICKEY SPILLANE ON SCREEN was given a nice review in Crimespree (not available on line) and a small but appreciated write up here. The Crimespree review advises potential readers that the high price of the book makes finding a library copy to read a priority. But both Barnes & Noble and Amazon are carrying it at a decent, if shifting, discount. At any given time, one of them usually has it for around thirty bucks – still stiff, but anyone interested in my work or Mickey’s will want it.

Here’s a surprise: a glowing write-up about one of my BATMAN comic book stories.

Speaking of Batman, count me among the minority who found THE DARK KNIGHT RISES the latest candidate for “Emperor’s New Clothes” status. The pretentiousness and the self-importance on display are almost as unbearable as the length of the thing, which contains more absurdities than a Dr. Seuss book (but is far less fun). What I come away with most are the unintelligible dialogue exchanges between pro-wrestler-like Bane, whose mouth is covered by a pointlessly grotesque mask, and Bale’s Batman, who talks in his now trademark low, lispy spooky Batman voice – not that any of it is worth hearing. Their muffled back-and-forth is the stuff that Riff Trax are made of. And if you like kettle drums, you’ll just love the score. Perfect for an endless Samoan war dance.

On the plus side, Anne Hathaway makes a perfectly fine Catwoman who actually injects some humor into the mix (a rarity in these dour films). And while I like Ms. Hathaway’s rear view just fine, was it really necessary to design a bat-cycle that has her riding it prone with her butt in their air? Just wondering.

M.A.C.

Skin Game

Tuesday, July 24th, 2012

My latest collaboration with Mickey Spillane is available in e-book only from Dutton’s e-relaunch of its Gilt-Edged Mystery Line, of which Mickey was the first great star, actually easily the greatest star. It’s a nice honor that they are making Mickey a big part of this new start.

Here’s where you can read about the novella and order it from parent company Penguin. It’s also available from Amazon, Barnes & Noble and other e-book sellers.

The novella is my completion of a very interesting fragment from the Spillane files – a typically great opening from Mickey. It’s already generating some terrific reviews, like this one…and this one.

Meanwhile, LADY, GO DIE! continues to get nice notices. Here’s one of the latest.

And for an in-depth view of the First Comics panel at San Diego Comic-Con, with an emphasis on Ms. Tree, check this out.

And the next Hammer novel – COMPLEX 90, the long-awaited third book in Mickey’s Red Scare trilogy (the other two novels are ONE LONELY NIGHT and THE GIRL HUNTERS) – has been delivered to Titan. I finished right before we left for San Diego.

M.A.C.

San Diego Comic Con Sked

Tuesday, July 10th, 2012

Barb, Nate, and I will be attending the Comic Con again this year (Nate’s fiancee, Abby, will be along again as well!). I will be doing brief daily updates with pics.

Here’s my schedule (two panels):

Thursday, July 12

5:00-6:00 First Comics: 30th Anniversary Extravaganza!—Legendary ’80s independent publishing powerhouse First Comics is rocking into San Diego with the assembled might of extraordinary comics creators Bill Willingham, Max Allan Collins, The Fillbach Brothers, Steve Stern, Dan Cote, and Larry Young. With giveaways, surprise guests, elephants, circus clowns, and more as befitting a 30th Anniversary-come celebrate with First! Moderated by Ken F. Levin. Room 23ABC

Friday, July 13

5:00-6:00 International Association of Media Tie-in Writers: Scribe AwardsMax Allan Collins (Mike Hammer), co-founder of the IAMTW, will announce the winners of this year’s Scribe Awards for excellence in tie-in writing. He will be joined by this year’s Grandmaster Award “Faust” winner, Kevin J. Anderson (Dune), Stacia Deutsch (Batman), Glenn Hauman (Star Trek), Jeff Mariotte (CSI), Deborah Lynn Smith (Dark Shadows), and Dayton Ward (Star Trek) for a freewheeling look at one of the most popular and yet underappreciated branches of the writing trade. Followed by a Q&A session. Room 23ABC

Check out the free download of my original radio play, “Mercy,” for Fangoria’s Dreadtime Stories, which puts a movie idea I’ve been noodling with one its feet. I love this story and I love the way it turned out. There are three other of my radio plays available there as well, but a cheap download fee. My buddy Carl Amari produced and directed.

Here’s a link to a video interview I did with Mr. Media. My first experience with Skype finds me looking like a drunken aardvark with a beanie propeller hat. Something must be done.

Here, of all things, is a fun review of one of the DARK ANGEL novels Matt Clemens and I wrote together (we had a blast doing those and feel the trio of novels represent some of our best collaborations).

Here’s another fun review, this one of LADY, GO DIE!

Turns out “A Long Time Dead” (a Mike Hammer story by Mickey and me) was indeed nominated for a Dagger. We did not, however, win.

See you later this week.

M.A.C.