Posts Tagged ‘Reviews’

Antiques Swap — Collect it!

Tuesday, May 5th, 2015
Antiques Swap
Hardcover:
E-Book: Amazon Google Play Nook Kobo iTunes

The latest entry in the Trash ‘n’ Treasures series (usually referred to as the ANTIQUES series) hit the bookstores last week. Barb and I (the co-authors, as “Barbara Allan”) spotted ANTIQUES SWAP nicely displayed in the Davenport Barnes and Noble.

This one begins at a swap meet but actually touches upon other, more risque meanings of “swap,” in a plotline we feared might be frowned upon by our editor, though we got away it. Cozies are supposed to be…cozy. The murders are supposed to be…nice. But for all the humor we put into the books – and we put a lot in – we try not to take homicide too lightly.

We also realize that our audience may include some readers – possibly you – who don’t regularly read cozy mysteries. After all, the great reviewer Jon Breen has called us a “subversive” take on the form, which he meant as a compliment. When we created the series, and were asked to include certain elements (exotic setting, cute pet, gimmick premise), we did so in an overtly tongue-in-cheek way that we thought would get us rejected.

Obviously we weren’t.

By the way, neither of us love the term “cozy,” and I suspect a lot of mystery writers feel that way. But the term seems to be the reigning one, much as “noir” has supplanted “hardboiled.” Cozy mysteries are more properly called “traditional.”

Ours are definitely in a sub-genre of comic mysteries. We don’t, however, consider ourselves to be spoofing the form or doing satire. Just as we take the murders in the stories seriously, we take our two main characters seriously and follow them through problems and challenges in their lives. Vivian Borne, Serenity’s theatrical diva, may seem larger-than-life, but I’ve met her at various times in various forms. You probably have, too.

Of everything I work on, the ANTIQUES series is the one that maintains the most constant presence. That’s largely because Barb spends almost all of her writing time on it. Of late we’ve been doing a novel and a novella every year, and that keeps her in production all but a few months in the summer. So we’re discussing the stories pretty much year-round.

Also, the nature of the book business is that once you’ve “finished” a book, you’ve just begun – a copy-edited manuscript will roll in unannounced for you to check through (and we both have to do that), and then galley proofs (which we both have to deal with). These never arrive at a good time, and always are due yesterday.

Barb and I had barely finished next year’s ANTIQUES FATE when the upcoming novella, ANTIQUES ST. NICKED, arrived in galley proof form. She’s gone through it already. I haven’t yet.

In the meantime, I continue work on THE BIG SHOWDOWN, the sequel to the current THE LEGEND OF CALEB YORK. I admit to feeling something of an imposter, as I have read precious few western novels in my time. On the other hand, I love movie westerns and have a huge collection of them on DVD and Blu-ray. I’ve said here many times that MAVERICK was my favorite show in childhood (and still ranks high) and that the episode “Shady Deal at Sunny Acres” is the greatest hour of episodic television ever…an opinion that hasn’t changed.

While working on CALEB, I have subjected Barb to a festival of western movies…but “subjected” really isn’t right, because loves western movies, too. Right now we’re in the midst of a Joel McCrea festival. I rank McCrea in the upper reaches – in the top five western stars (John Wayne, Randolph Scott, Audie Murphy and Gary Cooper being the others). Regular readers of mine know I am an Italian western fan, since Nolan was largely based on Lee Van Cleef’s screen persona in those films.

What I find really difficult in the CALEB YORK novels is balancing the myth with the real west. Despite my reputation for historical accuracy with the Nathan Heller novels, I am much more interested in the mythic west than the real thing.

THE LEGEND OF CALEB YORK seems to be a little tough to find in bookstores, so I recommend you order it online. It’s already in a second printing.

Incidentally, while writing ANTIQUES FATE – which touches upon the British school of mystery writer – we spent our evenings in a festival of UK crime fare, leaning heavily on MIDSOMER MURDERS and the new Blu-rays of the great Joan Hickson as MISS MARPLE.

* * *

This terrific ANTIQUES SWAP review just came in from one of our favorite writers (and favorite people), Bill Crider.

My writer pal Ed Gorman used this review of the Dover reprint of STRIP FOR MURDER at his terrific blog.

The QUARRY series gets great play in this article about Memphis trying to lure the series back there (it’s shooting in New Orleans currently with limited Memphis footage scheduled to be shot later).

A recurring cast member has been added to the QUARRY series.

Here’s another of those articles about movies you didn’t know were based on comics, with ROAD TO PERDITION included. But either I am getting very old or the world is getting very young when such movies include ANNIE and THE ADDAMS FAMILY (!!!).

And finally, of all things, here’s a review of the audio of DEAD STREET, the first Spillane novel I completed (though I took only limited credit for my polish and concluding chapters).

M.A.C.

The Legend of Caleb York

Tuesday, April 28th, 2015
The Legend of Caleb York
Hardcover:

E-Book: Amazon Google Play Nook Kobo iTunes

Audio MP3 CD:

Audio CD:

Audible:

THE LEGEND OF CALEB YORK is available as a hardcover right now. I can wait while you order it. (Collins humming themes from “Maverick” followed by “Rawhide,” concluding with a rousing rendition of the title song of “The Gunfight at O.K. Corral”). (You have to admit the song would not be as cool if it were “The Gunfight in the Vacant Lot Between Two Buildings Adjacent to the O.K. Corral.” Not only do we sometimes have to print the legend, sometimes we have to sing it.)

Okay, you’re back? Just for your info, there’s an audio book, too, which I’ll report on once I’ve listened to it, and a large print edition for people with eyesight even worse than mine.

If you’re a fan of Mickey Spillane’s, or mine, or both, you will surely want to grab this. In the late 1950s, Mickey wrote a screenplay, “The Saga of Cali York,” for his pal John Wayne that never got produced. It was one of three unproduced screenplays waiting for me in the Spillane files that Mickey had his wife Jane turn over to me. I based the novel on Mickey’s screenplay, which I thought was very good – it’s a traditional 1950s western in the vein of a really top-notch Randolph Scott, Joel McCrae or Audie Murphy flick.

What separates “York” from other westerns is the Spillane-style toughness and the explicit violence. Wayne presumably did not produce the film because his company Batjac got in financial hot water due to the way-over-budget production of THE ALAMO. But it’s also possible the over-the-top violence, at times anticipating Sam Peckinpah, made it a problematic project. It’s somewhat sexually steamy for the 1950s, too.

Writing the novel was tricky. I am right now in the early days of writing a sequel, utilizing material from Mickey’s notes and various drafts of the “York” script, and I spend as much time on Google doing research – and utilizing two shelves of my office library cart with books on the Old West – as I do writing.

Just the same, nobody should expect the level of historical accuracy that I bring to the Nathan Heller (or other historical crime) novels of mine. While I try to drop in tidbits of authenticity, Mickey was clearly operating in a movie/TV world, specifically of the ‘50s. Think of the Warner Bros. westerns of that period, or movies by Howard Hawks, John Ford, and Budd Boetticher. That’s the world.

So I don’t know how western fans will react. And I’m not sure how Heller fans will, either. BLACK HATS showed me taking the Heller approach to Wyatt Earp, but the Spillane westerns I’m doing for Kensington (there will be at least three) are definitely exploring the myth. Exploring it violently, but exploring it.

Not many reviews yet, but two really nice ones popped up last week, including one by modern-day pulpster, Ron Fortier.

And here’s a good one, very smart I think, from the Kindle Taproom.

Speaking of Spillane, I was thrilled to get another Mike Hammer review from the UK’s great Mike Carlson. He really digs KILL ME, DARLING.

Another Hammer review popped up for a title released a few years back, THE BIG BANG.

And, finally, out of nowhere came this write-up about the DICK TRACY comic strip collection, DICK TRACY AND THE NIGHTMARE MACHINE.

M.A.C.

Quarry & Mike Hammer News

Tuesday, April 14th, 2015

The New Orleans Times-Picayune interviewed me recently and if you will follow this link, you’ll find pictures from the set of the Cinemax QUARRY TV series as well as a three-part interview with me that is the most in-depth look at Quarry and his creation that I’ve ever provided.

I admit I was shocked that they used my entire interview – I had thought I was being interviewed for background on a broader piece, and expected a handful of things I said to be used as “pull” quotes. But they ran the whole thing, which is great, although occasionally I seem to be speaking English as a second (or perhaps third) language.

I THE JURY 82

For Mike Hammer fans, there’s good news – the under-rated Armand Assante I, THE JURY has received its first (albeit no frills) DVD release in America. I would have much preferred a Blu-ray with special features (like a commentary from yours truly), but we take what we can get.

For years what I had was a Japanese laser-disc that blurred all the sexy bits, and there’s a lot of ‘em. This is a made-on-demand DVD from Fox Cinema Archives and can be found at Amazon and elsewhere for around twenty bucks. Some people are gun-shy about MOD DVD’s, but I have tons of ‘em and have never had a problem. One proviso: While the DVD is in my house as I type this, I have yet to break the shrink wrap and screen it. If I’m disappointed in the transfer, I’ll let you know next week. [Note from Nate: Amazon instant video also has it in HD.]

Mickey did not like this version of I, THE JURY, but I am a fan. I would put it in the upper tier of Spillane films, probably in this order: KISS ME DEADLY; I, THE JURY (‘53) and THE GIRL HUNTERS (a tie for second place); and the I, THE JURY remake with Assante. The latter was a hard movie to see back in ‘82. Terry Beatty and I drove to a Chicago suburb to see it (returning the same night).

Here’s a brief excerpt on the I, THE JURY remake from MICKEY SPILLANE ON SCREEN by Jim Traylor and myself:

Assante’s performance has a psychotic edge that makes his Hammer, updated or not, the definitive screen portrayal to date of the young Mike Hammer. Somewhere in there with the Brando and Stallone bits is a sense of the Mick himself: Assante has watched Spillane, obviously, and has the bantam walk down pat – as with Biff Elliot and Spillane, Assante confirms that a small, broad-chested Hammer has a bulldog rather than bully quality needed for character empathy in the page-to-screen transfer of the brawling hero.

The Assante Hammer is outraged; he’s prepared to risk anything for his goal, because his Hammer simply does not give a damn; if he dies in the course of his quest, so be it – “You take life too serious,” he advises several terrified unwilling participants in his various war games. Another time he tells Charlotte that he “may take a few suspects out along the way – I’m not perfect.” Dat’s Mike Hammer, ‘80s style.

Predictably, Spillane despised the film; most of his objections stemmed from (Larry) Cohen’s script, understandably displeased that his straightforward detective plot had been abandoned. He reserved his most dismissive comment for Assante: “He wore Italian heels,” as if this were enough to invalidate the film.

Even the update’s most obviously strong point did not impress Spillane – he dismissed the portrayal of Velda as “a preppie.” If so, this is a pistol-packing preppie, who likely shot the alligator on her shirt.

Very proud of that book, by the way. I believe it’s sold under 100 copies, and I wish I were kidding. If you like Hammer/Spillane, don’t be put off by the high price.

Elsewhere on the Hammer front, KILL ME, DARLING seems to be very well-received, but we could really use some more Amazon reviews. Last time I looked we only have five. I realize this is a very old song I’m singing, but if you like a book, if you like an author, take time to post at least a brief one or two sentence review and a nice high-star rating, to boost them. I speak mostly of myself here, obviously, but you really should be doing this for any author whose work you like.

Today (Monday as I write this), Barb and I will dig in on the first of two-days work on prepping ANTIQUES FATE for Kensington. I finished my draft on Friday, and we took Saturday off, meeting my research associate George Hagenauer for lunch at a great Italian restaurant in Dubuque called Vinnie Venucchi’s. Among other things, George and I (with Barb kibitzing) discussed the next Heller. The rest of the day Barb and I spent in that cool tourist trap Galena, where I was able to pick up the last two Richard Bissell books I needed at a used bookstore (Bissell wrote 7 ½ Cents, the basis for the musical Pajama Game, and is my favorite Iowa author other than Barb and me) (and Ed Gorman).

Sunday I did a draft of the pilot outline for the TV project that I can’t talk about yet.

So, anyway, today I will be reading the ANTIQUES FATE manuscript and making corrections and revisions in red pen, and Barb will be entering those and tweaking as she goes. For those keeping count, this is the third novel I’ve finished this year (two of them collaborative, of course). Actually, I finished four novels this year, but the Heller novel, BETTER DEAD, was completed early in January on the heels of several months of writing last year.

* * *

Here’s a very nice review of KILL ME, DARLING.

And finally here’s a graphic novels to film piece that highlights ROAD TO PERDITION.

M.A.C.

Action!

Tuesday, March 31st, 2015

Shooting has begun on QUARRY in New Orleans.

I have read all eight scripts (including the one I wrote!) and series creators Graham Gordy and Michael D. Fuller have put together an excellent in-depth look at the origins of Quarry. It’s exciting, sexy, violent, character-driven and takes on important topics, which I like to think is a reflection of my fiction. I am particularly pleased that the show is being done in period with a real emphasis on the Vietnam aspect of the source material.

Break a leg, guys!

* * *

It’s been a very busy year already. Now I begin work on ANTIQUES FATE, working from Barb’s rough draft. Maybe writing FATE OF THE UNION (another FATE!) in between QUARRY IN THE BLACK and this latest Trash ‘n’ Treasures mystery will ease the jolt between the very dark world of most of my work and the lighter world of Brandy and her mother Vivian. On the other hand, Barb had the idea of really littering this one with murder victims, so we’ll see.

We’re doing an English-style cozy, consciously invoking the likes of MIDSOMER MURDERS and MISS MARPLE with a village in Iowa that plays up its British heritage. Working on these books is always fun, because Barb puts in so much comedy, which inspires me to put in even more.

One thing will make this year less busy than it would have been: Barb and I (and Nate and Abby) won’t be going to San Diego Comic-Con. We’ve gone regularly for over two decades, so this is kind of the end of an era, or anyway an interruption of one. The con has become so big, sprawling and unwieldily, it can be daunting for older fans and pros. It’s also difficult to get into many of the most interesting panels because to do so requires standing in line for a long, long time (in some cases, overnight).

It will probably mean the Scribe Awards (which I have regularly hosted since their inception, given out at the San Diego Comic-Con) will likely be looking for a new home. This I really regret, as co-founder (with my pal Lee Goldberg) of the International Association of Media and Tie-in Writers, who honor tie-in writers with these awards. The con gave us a nice high profile.

Why are we staying home? Simple – the wretched situation where lodging is concerned. The con throws all of the hotel rooms out there at a specified time, and if you’re not a computer whiz, you don’t stand a chance – everything at all close to the convention center is gone in about sixty seconds, and within five minutes even the bad rooms are taken. Even with Nate at the computer keys, we wound up with a hotel in Mission Valley – far, far away from the con. Well, we’re already far, far away from the con, and we’ll stay there – home, I mean.

* * *

The new Dover edition of STRIP FOR MURDER has inspired this nice write-up.

Here’s a wonderful review of KILL ME, DARLING from the UK.

The paperback edition of COMPLEX 90 inspired this great review.

And here’s a piece on KILL ME, DARLING by someone who hasn’t read it yet…but it’s good!

M.A.C.