Wrath of Con

July 13th, 2010 by Max Allan Collins

This weekend in Iowa City, I’ll be a guest at the Iowa City Book Festival.

My programs are:

Adaptation – Books Into Film panel, Sat, July 17 at noon in the Bijou Theater, Iowa Memorial Union. The Bijou is located on the first floor of the IMU. I’ll be appearing with Phil Robinson (Field of Dreams) and Nicholas Meyer (Wrath of Khan).

The Last Lullaby screening, Sun, July 18 at 3 p.m. in the Bijou Theater, Iowa Memorial Union. After the screening I’ll conduct a brief question and answer session with attendees.

You can read more about it here.

Right now I only have two panels set for the San Diego Comic Con (coming up July 21 – 25). And, of course, they are simultaneous.

Yet somehow I will be on both. I’m just that dedicated. Here’s the line-up:

Friday, July 23:

5:00-6:30 Scribe Awards/Media Tie-in Writers Panel— Presenting the fourth annual International Association of Media-Tie-in Writers (IAMTW) “Scribe” awards, honoring such notable franchises as CSI, Criminal Minds, The X-Files, Star Trek, Stargate, Star Wars, and Dr. Who. Nominees on hand include Alina Adams (As the World Turns), Max Allan Collins (G.I. Joe), Keith R. A. DeCandido (Star Trek), Stacia Deutsch (Cloudy with a Chance of Meatballs), Jeff Mariotte (CSI), Nathan Long (Warhammer), and Dayton Ward (Star Trek). With moderator Collins and awards presenter Lee Goldberg (Monk). Room 4

5:30-6:30Vertigo: On the Edge— Find out what compelling tales comics’ edgiest imprint has in store for you in the months to come! Led by senior VP/executive editor Karen Berger, the all-star lineup of talent includes Rafael Albuquerque (American Vampire), Gabriel Bá (Daytripper), Cliff Chiang (Neil Young’s Greendale), Max Allan Collins (Road to Perdition), Joshua Dysart (Neil Young’s Greendale, Unknown Soldier), Peter Gross (The Unwritten), Matt Kindt (Revolver), Jeff Lemire (Sweet Tooth), Peter Milligan (Greek Street, Hellblazer), Fabio Moon (Daytripper), Chris Roberson (iZombie), Scott Snyder (American Vampire), Matthew Sturges (Jack of Fables), Jill Thompson (Little Endless), Bill Willingham (Fables) and others. Room 6DE

How will I be on both panels? Well, I’ll be moderating the tie-in panel from 5 to 6, then slipping out during the Scribe Awards and joining the Vertigo panel for its last half hour. See you there – somewhere!

The Daybreakers reunion (on July 10 for the Class of 1970 at the Hotel Muscatine Ballroom) was a big success. Frankly, we killed. We had a very modest rehearsal time to prepare over 30 songs – just one morning and afternoon, plus a sound check the next day – but the crowd was supportive and danced and clapped all night long. We wound up doing three encores, which was tricky since we’d already done the 32 songs we’d learned for the gig. We pulled “You Really Got Me” and “Money” out of our nether storage compartments, and then repeated “Mony Mony.”

Great, great fun playing with these guys again. Chuck Bunn and I still play regularly together in Crusin’, but having drummer Buddy Busch and guitarists Dennis Maxwell and Mike Bridges up on stage with me again was memorable and even moving. Buddy, Denny and Mike were all Class of 1970 grads, and three of our late bandmates – Paul Thomas, Bruce Peters and Terry Beckey – were also in that class. So this was an ideal audience for us, plus Charlie Koenigsacker and a few other hardcore Daybreakers fans showed up, too. Wonderful night. As Paul would have said, “Rock ‘n’ roll happened.”

Check us out with another You Tube clip from our Iowa Rock ‘n’ Roll Hall of Fame concert appearance in 2008. We’re doing a song by our late bandmate Bruce Peters, “I Need Somebody.”

M.A.C.

Post July 4 Bangs

July 6th, 2010 by Max Allan Collins

I’m happy to report two more stellar reviews for THE BIG BANG.

That first-rate writer Mel Odom, whose Bookhound is a lively site combining prose novels and comics, has some lovely and insightful things to say.

Then from Charleston, South Carolina (Mickey’s adopted home state), the Post and Courier gives THE BIG BANG a down-home rave.

Charles Ardai’s latest Hard Case missive has (as usual) gone out to a number of sites, but I’m giving you like a link to my pal Bill Crider’s, which remains among my top, most-visited sites on the net.

A good new small press publisher called Perfect Crime is doing some interesting things, including books by two of my best friends in the business (or anywhere), Ed Gorman and Bob Randisi. Among several Randisi projects is THE SHAMUS AWARD WINNERS volumes 1 and 2. For Nate Heller fans, Volume One may fill in an important gap: included among the stories therein is the Shamus-nominated novella DYING IN THE POST-WAR WORLD, which has never been reprinted before (since its initial appearance in the very out-of-print collection of the same name).

And Quarry fans may be relieved to learn that I’ve signed with Perfect Crime books to reprint the first five Quarry novels in individual volumes. Cover artist will be a guy named Terry Beatty you may have heard of. We are using the re-titling from the Foul Play ‘80s reprints, and PRIMARY TARGET will get a new title, to make it “fit” the titling pattern of the others: QUARRY’S VOTE.

This week will largely be devoted to musical pursuits. I have a rehearsal with Crusin’ early in the week (still prepping for the July 29 Great River Days concert with the XL’s). Then the rest of the week will be spent prepping and rehearsing with the original Daybreakers – Mike Bridges, Buddy Busch, Denny Maxwell, Chuck Bunn and myself – with our first full gig together since 1968. We are playing the Class of 1970 reunion at the ballroom at Hotel Muscatine on Saturday night, July 10. Daybreakers fans who aren’t class of ‘70 grads are welcome to come and pay a five-buck cover…if so, show up around 8 p.m. The boys are coming from hither and yon for this, and it could well be the final appearance of the original line-up.

And, yes, we will be playing “Psychedelic Siren.”

M.A.C.

Premature Ex-Aculation

June 29th, 2010 by Max Allan Collins

Though it isn’t out till late September, QUARRY’S EX has already racked up a rave! It’s courtesy of Ron Fortier (a terrific writer in his own right), whose Pulp Fiction review site is always worth checking out.

THE BIG BANG received a pretty positive if patronizing review from the Chicago Sun Times. The reviewer is the kind of guy who enjoys a cheeseburger, then apologizes for it. But it’s a nice high-profile place to get reviewed, in an era where most of the reviewing is done on-line now.

There’s a new website about DICK TRACY up – old pal Jim Doherty is part of it. A TRACY comic-book story, circa 1990, that I did with artist Joe Staton (another old pal) is supposedly posted there, but all I can find so far is the first page. But check into it. That story – “Fireworks” – was done for a Disney comics digest but never got used. The website just went up recently, so to get the full “Fireworks,” you may have to check back now and then.

The ExpertA blast from the past – a recent, positive review of THE EXPERT (1995), my first screenwriting credit. I like that movie, though it’s only fittingly faithful to what I wrote. I always like to say that they apparently had only one copy of the screenplay, misplaced it, then tried to remember it. Anyway, that’s the case with the Jeff Speakman scenes – the James Brolin crazy-warden scenes are right on script. If you’ve never seen this, it’s worth tracking down – a decent B action movie about a prison break-in. With the great Jim Varney! It deserves better on video than it’s received – the only widescreen presentation is the laserdisc, and there’s never been a U.S. DVD release (the UK DVD is full screen pan-and-scan).

On the music front, intense rehearsals lay ahead – we have the Daybreakers Reunion for the Class of 1970 coming up on July 10, and on July 28, we have the Crusin’/XL’s Great River Days Concert. More about these later.

M.A.C.

Second Chances

June 22nd, 2010 by Max Allan Collins

When I was a teenager in the thrall of Mickey Spillane and Mike Hammer, I spent many hours searching (mostly in used bookstores) for Spillane imitators who might satisfy my thirst. Few came anywhere near. One, however, hit the ball out of the park, and he worked for a small outfit in Chicago with the books packaged like softcore porn. Even then the books were hard to find. Now they are impossible.

Sand's Game
Ennis Willie’s novels – particularly the ones about ex-mobster Sand, on the run from his former bosses – were an enormous influence on my development as a writer. I encountered Sand before the similar mono-named Parker, and my character Nolan derives as much from the former as the latter. Willie, though a shameless Spillane imitator, did not write in the first-person and did not write about P.I.s – which gave him his own unique voice and place. He wrote a handful of books in the mid ‘60s wrapping up by the end of the decade, then disappearing. Guys like Steve Mertz, Lynn Myers and Ed Gorman and I tried to track him down, wondering if “Ennis Willie” was a penname or maybe a black writer (there was an African American poet named Willie Ennis).

Willie was one of my heroes, right in there with Spillane and Richard Stark, and the other day something happened so surrealistic, it rivaled my meeting Mickey. A collection of Sand novels and stories, signed to me by Ennis Willie, arrived in the mail. Knocked me out.

Okay, it wasn’t a surprise. I was involved in the collection, though the editors were Mertz and Myers; I did an introduction. Willie, thanks to the internet, had turned up, somehow getting wind of the many discussions (decades worth!) on the subject of who-the-hell-he-was. He wrote Gorman saying, “Well, I’m him. Ennie Willie.” And included his driver’s license photo!

Anyway, the book from Ramble House is getting some attention. You can order it here in various editions. If you like Mickey Spillane, Richard Stark and/or M.A.C., you will not be sorry.

And Bill Crider wrote about it here.

One of my characters, influenced by Willie’s Sand, is a guy called Quarry. My pal Leonard Maltin did a terrific, high-profile write-up on THE FIRST QUARRY that just blew me away. Check it out.

I’ll be appearing at the Iowa City Book Festival on Saturday July 17 with Nicholas Meyer. I was told they’ll be screening THE LAST LULLABY, but I don’t see it on the schedule yet. At any rate, I am anxious to meet Nick Meyer, who was a student at the University of Iowa Writers Workshop a few years ahead of me; he’s a writer and filmmaker I admire very much.

The fun funky site Davy Crockett’s Alamack posted a nice piece on the first of the two volumes of MIKE HAMMER comic strips I edited back in the ‘80s. I’m hoping we can get a single volume collection out there one of these days (though I am still missing one Sunday).

Second City Class of '79 Reunion
Jim Belushi, Mary Gross, Tim Kazurinksy at Second City 1978.

Barb and I spent several days in Chicago (over her birthday, which is June 18), kicking it off by seeing the Class of ‘79 Reunion benefit show at Second City on June 17. That we were able to get tickets to this big-deal event was thanks to my pal Tim Kazurinsky. Appearing with the always hilarious Tim were Nancy McCabe-Kelly, Bruce Jarchow, Danny Breen, Bernadette Birkett and (at the piano) the legendary Fred Kaz. Oh, and some guy named George Wendt.

This is the Second City company that Barb and I followed religiously in the late ‘70s and early ‘80s. Among other talents from that era (not in attendance) were my friend Larry Coven (who appears in MOMMY’S DAY and REAL TIME: SIEGE AT LUCAS STREET MARKET), Mary Gross, Lance Kinsey, and Jim Belushi (whose son Robert was a guest star at the reunion show, a talented, charismatic addition to that famous clan). Breen and Jarchow are particular favorites of mine (and reminded me why with their genius turns), and they were very nice chatting with us afterward. Also – and this is a big deal to Barb and me – we got to meet and talk with Bernie Sahlins, one of the founders of both Second City and SCTV.

Here’s a nice write-up about the show.

Barb said it was a pretty good birthday. Pretty, pretty good (as Larry David would say).

M.A.C.