Cover Boy

November 1st, 2011 by Max Allan Collins
Deadly Pleasures

Seeing my face on the cover of the current DEADLY PLEASURES (Summer 2001, issue 66), is gratifying if frustrating – I’d have looked better twenty or even ten years ago. But it’s nice to see Nate Heller get this kind of attention – editor George Easter told me I’d get the DP cover when I wrote another Heller (this was during the drought between CHICAGO CONFIDENTIAL and the current BYE BYE, BABY). And he kept his word.

The issue is an embarrassment of riches, because editor Easter reviews/discusses seven of the books I have out this year (he skips ANTIQUES KNOCK-OFF, either not knowing about “Barbara Allan” or just not liking the cozy stuff). Ted Fitzgerald in the same issue provides a rave review of BYE BYE, BABY as well, and Roger M. Sobin does retro coverage of FLYING BLIND, comparing it to the 2009 film “Amelia” (which I thought was dreadful…the film, not Sobin’s solid discussion).

When Jon Breen retired from regularly writing the review column in ELLERY QUEEN MYSTERY MAGAZINE, “The Jury Box,” I thought I was cooked. Jon was a big booster of my stuff and reviewed me regularly. I figured the new guy, Steve Steinbock, would have more sense. Fortunately, he doesn’t, as the new EQMM (December 2001) gives generous “Jury Box” attention to a slew of my novels, leading off with a four-star BYE BYE, BABY review.

This kind of coverage is so important. For those of you who think my ego is out of control, when I mention such things, well, you’re probably right…but the real appeal of it to me is that the books get attention and gain more readers. That’s not really an ego-driven desire. It’s on the most basic level a desire to keep the lights on in this joint. I can’t stay in business if the books don’t sell, and I have never been a success on the level of a Harlan Coben or Lee Child. I remain a freelance writer desperately avoiding getting a real job.

Here’s a great write-up on the Nate Heller series worth checking out.

And here’s one specifically about the new Heller collection, CHICAGO LIGHTNING.

Oddly, this is a nice review of DEAD STREET, reacting as if the book just came out. The comments below the smart review reveal the level of idiocy that Spillane can elicit in apparently intelligent readers.

This week the new Titan collection of Simon and Kirby crime comics comes out, with my introduction. USA TODAY interviewed me about the book and about S & K.

Work continues apace on SPILLANE ON SCREEN as Jim Traylor and I keep the words flying between Iowa and Georgia. It’s a McFarland book and will be horrendously expensive, no doubt, but it’s gonna be worth it.

M.A.C.

Nobody Died

October 25th, 2011 by Max Allan Collins

I am pleased to report that none of my friends died this week (Clemens, you can come out of your hidey hole).

If you have Facebook, you can check out this superior audience recording of “Alley Cats” with Mike and Nick Cornelison. You can get pretty much all of the dialogue. Several people have asked me what the requirements were for this competition, and I have frankly forgotten the exact instructions (which I received over the phone). There was a name and job description of one of the characters, the line “That’s gonna leave a mark,” the need to be a “buddy film” situation, the use of a manila envelope, and maybe a couple of other things. The audience knew of these requirements and sometimes ahhhed and even applauded when they were worked smoothly in. Understand, this was an under-the-gun competition – actors and crew waiting for me to quickly turn out a script that they could execute in under a week.

My buddy Parnell Hall has made some fun You Tube song videos about the writing game. Crusin’ and I (and lots of bigtime writers, including Crusin’ guest artists Val McDermid and Bob Randisi) participated in a new e-book-centric vid mostly shot at Bouchercon in St. Louis. (That makes our appearance the last video recording of the band with Chuck Bunn.)

Nice reviews for various M.A.C. stuff continue apace. That fine human and terrific writer Bill Crider contributed a great CONSUMMATA review.

This review from Bookgasm is kind of odd. The reviewer seems to like me and the Quarry series, but mis-reads QUARRY’S EX as a prequel to THE FIRST QUARRY, which I think it clearly isn’t. He doesn’t seem to like Quarry’s encounters with B-movie actors, either, and doesn’t seem to care for (or “get,” in my view) a novel that otherwise has earned glowing reviews. Still, always nice to be noticed by Bookgasm, a really great review site.

On a happier note, renowned comics writer John Ostrander provides a great BYE BYE, BABY review at my pal Mike Gold’s ComicMix site.

For those wondering what I’m up to this week, I am continuing work on a book entitled SPILLANE ON FILM with my ONE LONELY KNIGHT collaborator, Jim Traylor.

M.A.C.

Return to Perdition Wallpaper

October 20th, 2011 by Nathan Collins

I made some desktop wallpaper from Lee Bermejo’s wonderful cover art for RETURN TO PERDITION:

RETURN TO PERDITION comes out in less than a month, alongside reprints of ROAD TO PERDITION and ON THE ROAD.

The Final Collins/Cornelison Collaboration

October 18th, 2011 by Max Allan Collins

The Final Collins/Cornelison Collaboration — a recording from the house of the only performance of a short play written for the 711 Project Competition in Des Moine last summer. The play had to be written, produced, rehearsed and performed in one week. I was given several things that I had to use, a couple of phrases, a genre, and a set that would be common to all the plays. It was a two-night competition and we won Friday night. I was not present.