Antiques Giveaway and a Nomination

April 8th, 2014 by Max Allan Collins
Antiques Con

The International Association of Media and Tie-in Writers has announced this year’s Scribe award nominees. It was a tough field (COMPLEX 90 did not get a novel nomination, for example), which is healthy considering how weak the tie-in field generally is these days. I am pleased to say the Spillane/Collins MIKE HAMMER short story, “So Long, Chief” – already honored as an Edgar nominee – is also a Scribe nominee.

In the past, these awards have been presented at San Diego Comic Con. We intend to do so again this year, but haven’t received confirmation from the con as yet. I’ll post that info here when I have it.

In the meantime, here is the full list of nominees at my pal Lee Goldberg’s terrific web site.

On a related note, here’s a terrific recent review of Lee’s book on tie-ins (with contributions by me).

A flurry of M.A.C. books has started to hit, including mass-market paperbacks of TARGET LANCER and ANTIQUES CHOP (the latter perhaps my personal favorite of the series). Coming up very soon are ANTIQUES CON (April 29), KING OF THE WEEDS (May 6) and SUPREME JUSTICE (June 1).

[Nate: All copies are claimed for now—see you next time around!] I have available twelve ARC’s (advance reading copies) of ANTIQUES CON for the first dozen of you who are willing to review it for Amazon (and other sites, such as Barnes and Noble and Goodreads). First come, first served, and only USA addresses, please. You can’t post at Amazon until the book is out, so April 29 is the key date. Goodreads reviews can go up immediately. Amazon is crucial because it takes nine reviews to get on their radar.

I am trying to get copies of KING OF THE WEEDS from the publisher for a similar giveaway, and will have some in a few weeks for SUPREME JUSTICE.

Again, I can’t stress how important these Amazon reviews are, not just for me but for any authors whose work you follow and enjoy. You don’t need to post lengthy reviews – a line or two is sufficient. If you are a Quarry or Nolan fan, for example, please consider going to Amazon and posting quickie reviews of those. The Nolan books are in particular under-reviewed, and again, this keeps the Amazon algorithms from kicking in.

Getting back to ANTIQUES CON, we’ve just had a delightful review from ROMANTIC TIMES (a great place for a cozy mystery to get attention). Take a look:

Romantic Times May 2014
ANTIQUES CON
**** ½

Allan’s madcap series has never been the most typical of cozies; it provides non-stop humor as well as a logical, tangled mystery. Vivian is wildly charming, although she often drives Brandy close to insane. The New York City comic book convention setting gives the story a gentle, satirical backdrop. This is a fun, fast mystery that shows Allan at the top of her game.

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M.A.C.

April Amazon Deals

April 6th, 2014 by Nathan Collins

Today only (April 6), these twelve Nathan Heller and Mallory e-books are only $1.99 each on the Kindle Store:

Nathan Heller:

Triple Play: A Nathan Heller Casebook
Neon Mirage
Carnal Hours
Blood and Thunder
Flying Blind
Majic Man
Angel in Black
Chicago Confidential

Mallory:

Nice Weekend for a Murder
No Cure for Death
Kill Your Darlings
A Shroud for Aquarius

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Through April 16, Kindle editions of Midnight Haul and Barbara Allan novels Bombshell and Regeneration are $1.99 each.

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Triple Play in paperback is $7.48, 10% off the standard price as part of the April Bookshelf deals.

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For M.A.C. fans across the pond, What Doesn’t Kill Her is part of this month’s UK Kindle 25 £1 deal.

Pitcher This

April 1st, 2014 by Max Allan Collins

Longtime followers of these updates may recall that I’ve been involved for around two decades with an organization called the Iowa Motion Picture Association. I’m in fact a three-time past president. The existence of this group makes my friends on either coast chortle with demeaning delight. Nonetheless, a lot of top professionals in the field belong to this organization.

IMPA Awards 2014

Our annual meeting and awards presentation was this weekend past. Usually it’s held in Des Moines, but this time we met in Burlington, which is about sixty miles from me. The event was held at the newly refurbished and very cool Capitol Theater.

Last week the president of the organization got in touch with me about participating in a “speed pitching” session. The keynote speaker, Barry Morrow – Academy Award-winning screenwriter of RAIN MAN – would be hearing five minute pitches followed by five minutes of critique and interaction. My knee-jerk reaction was to say, “No thanks,” because after all – I know everything!

Then in a cooler, more rational mood, I agreed to participate. The IMPA folks were grateful, because I would be an established pro showing the younger aspiring types how it’s done. But that was not how I viewed it.

You see, for several months I have been struggling – under the guidance of a big-time talent/production management outfit – to put together a pitch for Nate Heller on TV. And it’s been a rugged road. I am used to selling one story – almost every book I’ve sold over this long career has been via a proposal – but trying to describe a TV series, based on the entire Heller canon? Mind-boggling.

Just lately my most recent take on the pitch has been more warmly received. So – not being a complete idiot – I realized having the opportunity to pitch it to a pro like Barry Morrow was a favor the IMPA was doing me, not the opposite.

Barry Morrow

It went very well. If I were a better writer, I could describe how generous, smart, kind and incisive Barry’s help was. But ironically his general remarks at the end of the pitch session – and some brief conversation before and after – were what showed me the way for improving my pitch. At least I think so.

Briefly, Barry emphasized being a storyteller when you pitch. To come in the door telling a story – “You should have seen the truck I was stuck behind! Its wheel was going to fall off. I’m lucky to be alive!” That kind of thing. But I also realized that instead of telling who Heller was in my pitch, I needed to open with a story sequence that demonstrated who he was.

Hollywood has a way of making a book writer’s brain seize up. I had completely forgotten the most basic rule of narrative – show don’t tell.

I have already rewritten the pitch, and having delivered the earlier version out loud, I have confidence where before I was a mass of misgivings.

MAC Best Unproduced Screenplay

At the awards presentation Saturday night, I won for Best Unproduced Screenplay, for a MIKE HAMMER pilot script I wrote so that my producing partner Ken Levin and I would have one in our pocket, should the movie that keeps threatening to happen not do so.

Next week we’ll have at least one giveaway of advance copies to readers willing to commit to an Amazon review. See you then!

M.A.C.

Cover Story

March 25th, 2014 by Max Allan Collins
Supreme Justice

Over the last two weeks, Matt Clemens and I have been going over potential covers for the upcoming SUPREME JUSTICE, coming out June 1.

Thomas & Mercer, Amazon Publishing’s mystery/suspense line, has been very good about making me – and Matt, because he contributed so mightily to both novels – part of the book cover process for both WHAT DOESN’T KILL HER and SUPREME JUSTICE. This is hardly common in publishing – in fact, it’s the opposite of common.

What often happens is that I’m asked for my opinion – in the context of how important that opinion might be, given my background in visual arts like comics and film – but rarely has my input been given much if any consideration.

That’s been improving in recent years. Our editor at Kensington always asks Barb and me for ideas for the covers of the ANTIQUES books, and those ideas have been used for the most part.

Titan is careful to run covers past me, and I had considerable input on the Mike Hammer mass market editions, where initially the depiction of Hammer was wrong. The publisher of Titan himself, Nick Landau, enthusiastically presented the hardcover Hammer dust-jacket art over drinks at San Diego Con a few years ago.

At Hard Case Crime, Charles Ardai often discusses what artists might be available for my next book – obviously the first thing out of my mouth is, “How about McGinnis?” But I essentially chose the cover artists for THE WRONG QUARRY (Tyler Jacobsen) out of three or four Charles showed me examples by. And THE WRONG QUARRY seems to be universally regarded as one of (if not the) strongest of my Hard Case covers.

As I may have mentioned here before, those covers are usually done before I’ve written the novel, with just a paragraph precise of the unwritten book for the artist to go by. That means I often have to work to get the cover image into the book.

On the other hand, I provided Forge with lots of input into BYE BYE, BABY’s hardcover jacket that was eventually ignored, due to worries that the Monroe estate would sue. I hate that cover (though the mass market paperback is much better). Where both TARGET LANCER and ASK NOT were concerned, however, I was given the opportunity to give my two cents, and was listened to. Often I write the cover copy, even the front “reading lines” (blurbs), when what is submitted to me seems weak.

So it has improved a lot. I’ve come a long way from when I received BAIT MONEY and BLOOD MONEY in the mail in December 1972 and found fairly terrible photo covers and my name changed from Allan Collins to Max Collins, and my character Nolan given an unwanted first name (“Frank”) which to this day dogs both Nolan and me. Then there’s the day I opened a package and saw that my novel QUARRY and its sequel HIT LIST were now THE BROKER and THE BROKER’S WIFE, the latter title a spoiler for a major plot turn…again, with photo covers, though slightly better ones.

But now Thomas & Mercer has given me a chance not only to suggest cover images, but provides me with half a dozen to choose from, and does tweaks on the art that I’ve suggested. I wish I could include the SUPREME JUSTICE rejects here, because they were strong, too. But I don’t know the legality of that.

Maybe next time I do a book for them, I can put the proposed covers up here and seek your input.

For now, I am delighted with the cover for SUPREME JUSTICE.

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Brief movie report.

We liked MR. PEABODY AND SHERMAN, me more than Barb. It captured the Jay Ward cartoons well and was very smart in its storytelling – a little long, though. See it in 3-D.

NON-STOP was a good thriller, somewhat stupid in the motivation of the villains, but a ride worth taking.

300: RISE OF AN EMPIRE is better than the original, and is a rousing battle picture with an eye-popping sex scene (see that in 3-D, too). But it’s fairly numbing in its more-and-more-of-the-same gory action, and at heart is a very brain-dead right-wing screed. Still, I dug it. I am, as should be evident by now, a sucker for anything in 3-D that doesn’t outright suck.

Speaking of sucking, we walked out of DIVERGENT about half an hour in. I’d read some promising reviews, but this is a really poorly thought-out imitation of HUNGER GAMES (which is a poorly thought-out imitation of BATTLE ROYALE). Really, really dumb, and also dreary and dull. We bailed when some recruits in the Dauntless faction (don’t ask) said, “Let’s do something fun! Let’s get tattoos!”

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Let’s wind up this update with a link to a very nice WRONG QUARRY review from Blog Critics.