Archive for June, 2012

Complex Issues

Tuesday, June 26th, 2012

This will be a somewhat brief Update, as I am immersed in working on the new Mike Hammer, COMPLEX 90. It’s a particularly tricky book because it includes a sequence about Hammer in Russia (referred to and essentially outlined in Mickey’s unfinished manuscript) that I am trying to bring on stage. The book takes place in 1964 and is, in part, a sequel to THE GIRL HUNTERS.

I am pleased to report that MICKEY SPILLANE ON SCREEN by Jim Traylor and has received a glowing review from Rod Lott at the web’s premiere review site, Bookgasm. Check this one out.

I’ve been astonished at how much coverage Hard Case Crime’s announcement of the new Jack and Maggie Starr mystery, SEDUCTION OF THE INNOCENT, has been stirring up. It indicates the PR genius of editor/publisher Charles Ardai. The book doesn’t even come out till next February, and my JFK Heller novel comes out this Fall, and it hasn’t had a whisper of fuss…even if all it does is solve the JFK assassination. But I’m delighted by all this advance coverage of SEDUCTION. I won’t provide links to all of the nice write-ups the announcement has received – I’m getting great reviews for the idea of this book! – but here’s a typical one from that pro Mel Odom.

We continue to get terrific LADY, GO DIE! reviews, and this one is one of my favorites. The review is from a slightly feminist POV, and I love the way the reviewer – and a number of other women who have given this book good reviews – struggle with the females in the novel, grasping that Spillane wrote very strong women and yet having to deal with those women tending to follow Hammer’s lead…plus Hammer calling them “doll,” “kitten” and so on. A while back a reviewer said nobody uses such terms any more. Well, those books take place in the past. On the other hand, I call my astonishingly beautiful blonde wife – in her sixties and looking about thirty-five – “doll” and “babe” all the time. Sue me. Anyway, read this smart, fun review.

We’ll close with a rarity – a fan reviewer who loves one of my Batman stories. It’s called “Robber’s Roost,” is about the Penguin, and is a prose short story. Also, full disclosure: I don’t remember a thing about it.

M.A.C.

Colonel Collins, Lord of Mystery

Tuesday, June 19th, 2012

Barb and I were guests this weekend (actually, we left last Wednesday) for the International Mystery Writers Festival at Owensboro, Kentucky. The event celebrates the world of mystery with a focus on showcasing new plays – three were presented this year, including a new stage-designed version of ENCORE FOR MURDER (the longer audio version of which, starring Stacy Keach, is available from Blackstone Audio, and was a nominee for the Audie).

I was presented with a lovely award designating me the First Lord of Mystery (previous winners, including Sue Grafton, Mary Higgins Clark and Angela Lansbury, were Mistresses of Mystery). Both Barb and I were made honorary colonels by the Commonwealth of Kentucky. This is an elite group that includes Colonel Sanders, Colonel Lee Goldberg and Colonel Robert Randisi (the latter two received their colonel-ship at the event as well).

I’m not sure how many plays were submitted, but my impression is quite a few. The other two plays that earned production at the fest were LOST AT SEA by Donald C. Drake (the other Firesign radio-style production) and ABSOLUTELY DEAD by Michael Walker (starring Kathy Garver of FAMILY AFFAIR FAME), the latter the “main stage” play.

The event is held at the River Center in Owensboro on the Ohio River, a lovely, massive modern facility with several stages. One is a 1500-seat theater, the main stage. ENCORE FOR MURDER was staged in a smaller “black box” theater similar to the one where ELIOT NESS: AN UNTOUCHABLE LIFE was presented in Des Moines. One highlight was a Lee Goldberg-led interview session, after ENCORE’s premiere, on an expansive patio outside the River Center, with the Ohio River Bridge in the background, where fifteen minutes of clips from my various movies (THE EXPERT, MOMMY, MOMMY’S DAY, REAL TIME, ELIOT NESS, THE LAST LULLABY, ROAD TO PERDITION) were shown on a drive-in-theater-size screen.

People were incredibly nice to us, and we did several signings, as well as just autographing books folks brought up for us to sign as we hung out in the cavernous River Center lobby. Barb and I did a workshop discussing our collaborative approach to the Barbara Allan books, and we attended a similar one given by Bob Randisi and his partner Christine Matthews. Roxi Witt, the manager of the River Center and producer of the event, is a gracious, ebullient hostess whose warmth and kindness are unparalleled.

What made the event really special was the great production of ENCORE FOR MURDER, which was revised and shortened for live production (the original was two and a half hours on audio, and the live version is two acts, each under an hour, with an intermission). Two figures from the legendary Firesign Theater (and regular readers of my updates know what a comedy buff I am) were instrumental in the production. David Ossman co-directed (with his wife Judith Walcutt) and Phil Proctor appeared in three roles, including a very funny Ozzie the Answer, who I described as Leo Gorcey and Huntz Hall’s lost love child. Phil’s actress wife Melinda Peterson gave perhaps my favorite Velda performance ever, playing her deadpan as if channeling Keely Smith. Richard Fish made a great Pat Chambers, reminiscent of Paul Sorvino’s in the Assante I, THE JURY, and Amy Walker and Cassie Post were luminous as potential femme fatales. The approach was broader than the original audio, getting all the comic lines across but not camping it up (I had cautioned Phil Proctor that this was Mike Hammer, not Nick Danger). Firesign superstars Ossman and Proctor have been instrumental in presenting radio-style productions at the Owensboro festival. (The festival also presents films and Lee Goldberg debuted his latest short there, produced with the help of the River Center.)

But the MVP player was Gary Sandy. Gary, of course, worked with me on MOMMY’S DAY, and I specifically requested him to play Mike Hammer. Stacy Keach was approached but his schedule wouldn’t allow, and I felt Gary – who lives in Kentucky and had participated in past festivals – would make a great Hammer. And he did. Not easy to step into a role so identified with another actor, but he put his own spin on the role and brought an incredible energy that became the engine of the show. He won Best Actor in the event’s awards, and the play essentially swept those awards.

I am already considering returning next year with a play version of THE LITTLE DEATH.

Next week I hope to have photos for you from the festival and specifically from the production of ENCORE FOR MURDER.


Lee Goldberg, Phil Proctor, and Max

Hard Case Crime has announced my Jack and Maggie Starr novel, SEDUCTION OF THE INNOCENT. Check out the fun news release here (the cover is depicted…small, but it’s there).

More about the book, and a much larger look at the cover, is here.

Mystery writer Mike Dennis has posted a great review of LADY GO, DIE! at his site.

And another nice review can be found here, at Radiant Lit.

Good ANTIQUES DISPOSAL reviews continue to roll in, like this one.

And this one.

Finally, here’s a fun blog post about a reader who discovered my work when she was ten, thanks to the DICK TRACY novelization. Here’s hoping she got the 6th printing (sold only through schools), which includes the ending.

M.A.C.

Can You Feel the Suspense

Thursday, June 14th, 2012

photo by Bryan Leazenby/Onsite Images

Last night Barb and I watched the last run-through of the radio-style play version of ENCORE FOR MURDER, wtih Gary Sandy making a terrific Mike Hammer and a wonderful supporting cast that includes Firesign Theater’s Phil Proctor in three, count ’em three, roles. If you are in driving distance of Owensboro, don’t miss it (tonight is the first of four performances). Nice write-up here.

http://www.courierpress.com/news/2012/jun/14/can-you-feel-the-suspense/

M.A.C.

There’s a Podcast on the Loose!

Tuesday, June 12th, 2012

Mickey Spillane, signed:
“Hi Max, a big hello to my hero!”

At the St. Louis Bouchercon, EQMM editor Janet Hutchings asked me to read for a podcast the Spillane/Collins story they published a while back, “There’s A Killer on the Loose!” Well, it’s available for free download now, right here:
http://eqmm.podomatic.com/entry/2012-06-01T05_36_55-07_00

Right now Barb and I are getting ready for the International Mystery Festival in Owensboro, Kentucky, later this week. Today I did a final edit on the script for the live presentation of “Encore for Murder” starring Gary Sandy as Mike Hammer (it will be presented a number of times, but the premiere is Thursday night. More info is available right here.

I’ve been encouraging you to pick up the new book by Jim Traylor and me, MICKEY SPILLANE ON SCREEN, at Barnes & Noble online, because of the great price. Well, now Amazon has it at a reduced price as well. Even on sale, this is an expensive book, but I swear it’s a good one, with great pictures and jammed full of information and informed opinion. If you like Mickey or me or especially both, you want to bite the bullet and send for this.

Here’s another positive review of LADY, GO DIE! that seems slightly ashamed of itself. Why reviewers can’t like this book without apology or a patronizing tone is beyond me. But I’m glad they like it. This one got picked up all over the place.

Here’s one more interview with me from the LADY, GO DIE! cyber tour. I know, I know – enough already. But it’s an interesting one, I think.

And here out of the past comes a positive review of a BATMAN short story I wrote some time in the previous century.

Finally, my son Nathan has been gradually upgrading this site. It’s very much a W.I.P., but you’ve probably noticed the cool new headers on the first page, and there are other new graphics here and there, as well as updated bios of me and my band Crusin’. He feels it’s premature to mention this, but I’m pleased with the progress he’s making and hope you’re noticing some of the changes and improvements.

M.A.C.