Posts Tagged ‘Appearances’

Death by Fruitcake – A Quad Cities Premiere Showing!

Tuesday, April 29th, 2025

For those of you within driving distance, I wanted to let you know about several showings of our film, Death By Fruitcake, based upon the Antiques mystery series by “Barbara Allan” (my wife Barb and I). I directed and wrote (with Barb looking over my shoulder).

On May 9 we will have a Quad Cities premiere in Davenport, Iowa, at the Last Picture House with Paula Sands (Vivian Borne) and Rob Merritt (Chief Tony Cassato) in attendance and participating in a Q and A session after the screening. I will be there as well, as will co-producers Chad T. Bishop and Barbara Collins. So will other cast and crew members.

Here is how/where you can get tickets.

The Last Picture House is a terrific boutique theater masterminded by the Quiet Place team, Scott Beck and Bryan Woods. This part of the world is very lucky to have this venue to enjoy film (including, from time to time, mine). And the generosity of these successful hometown filmmakers is much appreciated. (In my opinion, Heretic is their best yet.)


M.A.C., Bryan Woods, Scott Beck and Phil Dingeldein

Last November, we had two hometown screenings at the Palms Theater in Muscatine. These were very well-attended, but we had some audio problems that should not be an issue at the Last Picture House event. That said, Iowa’s Fridley movie chain has been most supportive, not just of our efforts but Iowa filmmakers in general. They are in particular supportive of the Iowa Motion Picture Association’s awards (I am a three-time past president of that association).

Producer Chad Bishop and I have selected clips for the five categories we’ve been nominated in for the Iowa Motion Picture Awards — Best Actress (Paula Sands), Best Actor (Rob Merritt), Best Supporting Actress (Alisabeth Von Presley), Best Direction (M.A.C.) and best Live Action Feature (Death by Fruitcake, of course).

These nominations each represent a shot at an award (there are two levels, Excellence and Achievement). The clips Chad and I selected will be shown with the other nominees at the Iowa Motion Picture Awards on Saturday May 31 at the Palms in Waukee (near Des Moines).

Also, as nominees, we’ve been selected by the IMPA to have Death by Fruitcake screened twice at the Fleur Theater in Des Moines — Friday 23 at 4:30 pm, and again on Wednesday 28 at 8 pm. Barb and I will be there for the Wed. 8 pm screening, and I’ll intro it and have a Q and A after — a few other cast and crew members will likely participate in the Q and A. Tickets are available here (for both performances).

In the meantime, we’re talking with several distributors in hopes of getting our film on one or more streaming service for the holiday season. This means the Davenport and Des Moines screenings may be the last opportunity to see Death By Fruitcake in a theatrical setting.

If you’d like to get a very early start on seasonal entertainment, our previous picture, Blue Christmas, is available now on Tubi, right here (free!)

Here’s a teaser trailer for Death By Fruitcake that our producer/editor/director of photography Chad Bishop put together.

And in case you missed it, the full-length trailer (and photos and more) can be seen at our IMDB page.

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A gentle reminder that the complete True Noir: The Assassination of Mayor Cermak is available at Truenoir.co. Rob Burnett and Mike Bawden (and their Imagination Connoisseurs) have done right by Heller (and they started with my script for the ten-episode audio play).

M.A.C.

Death By Fruitcake Lives…Twice!

Tuesday, October 29th, 2024

This is a big week for us, or rather big weekend, as we’re having the premiere (aka advance screenings) of Death by Fruitcake at the Palms in Muscatine, Iowa, on Nov. 1 and Nov. 2. Start time both nights is 7 pm, and there will be a Q and A with cast and crew members after the movie.

Those of you familiar with the Antiques novels that Barb and I write as “Barbara Allan” will recognize the character names in what follows. On both nights (Nov. 1 and 2), Paula Sands – the legendary Midwest broadcaster, recently retired from Channel 6 in Davenport (KWQC) – will be on hand as part of the Q and A; she plays Vivian Borne, aka Mother. Rob Merritt, who stars in our other Christmas movie (Blue Christmas), will be here; he plays Chief of Serenity Police Tony Cassato. And Midwestern pop star Alisabeth Von Presley (of American Idol and American Song Contest fame, among much else) will be on hand Saturday night (Nov. 2).

The Friday night screening has reserved seats and is already 61% sold. Saturday night is at 38% sold. Get those tickets now (and I do apologize to regular readers of these updates/posts for showcasing this local event…but it’s a big deal to us).

Tickets are available here.

In further exciting Palms Theater news here in Muscatine, Blue Christmas is opening on Nov.8. Tickets for the run are available here.

Other Iowa theaters in the Fridley chain will be running Blue Christmas as well, and we should have more info by next week.

If all of this Christmas movie stuff confuses you, here’s the skinny: we had such good reaction early this year when we premiered Blue Christmas at the Palms in Muscatine, the Last Picture House in Davenport, and the Fleur Cinema and Café in Des Moines, we right away started thinking about doing a follow-up of sorts. When we landed a deal for VCI and MVD to bring Blue Christmas out on Blu-Ray and DVD, and to take it out to streaming services, that cinched it.

But we didn’t want to do a sequel or any similar film. And Barb and I have been frustrated by how close we’ve come to a network or streaming service sale for the Antiques/Trash ‘n’ Treasures novels that we decided our next movie would bring that series to life. I wrote a script expanding on (and somewhat loosely adapting) the novella Antiques Fruitcake in the three-novella collection, Antiques Ho Ho Homicides.

Barb liked the script, and of course had great suggestions and notes – the series has always been her baby – and we started putting Death by Fruitcake together right away. We called upon many of the cast members of our two previous productions, Mickey Spillane’s Encore for Murder (with Gary Sandy) – available on DVD from VCI and also a special feature on VCI’s Blu-ray of the revised expanded Mike Hammer’s Mickey Spillane.

Key to the project was producer/director of photography/editor Chad Bishop, who I got to know doing the edit of Encore for Murder. Chad was a producer among much else on Blue Christmas. Both it and Death by Fruitcake would not exist without his hard work and artistic inspiration.

We’ve had a bit of an unintended (if there is such a thing as an intended) collision course between Blue Christmas and Death by Fruitcake, when it became clear the release of Blue Christmas in Iowa theaters and nationally on physical media would collide with our premieres of Death by Fruitcake. Not much we could do about that but hope you good people out there can sort them out.

Death by Fruitcake will, we hope, we given a Quad Cities premiere at the Last Picture House yet this year – our star, Paula Sands, spends half of the year away in Arizona with her husband David, so we have to work around her availability for personal appearnces. The real marketing of Death by Fruitcake begins now and it’s unlikely to be streaming or on physical media till well into next year (holiday season 2025, most likely).

Blue Christmas and Death by Fruitcake, despite some shared cast members, are very different animals (albeit both being reindeer friendly). Blue Christmas, as you may already know, is a mash-up of sorts of A Christmas Carol and The Maltese Falcon, two of my favorite novels and movies (the Sim Scrooge, the Bogart Falcon).

Death by Fruitcake has been called a zany episode of Murder She Wrote or a low-budget Knives Out. And we are low budget – actually micro-budget. But my feeling is if the writing and acting are there, and the cinematography does them justice, a minuscule budget – if the script has been written toward such a budget – is beside the point.

I continue to be frustrated but mostly amused by the people who attack Blue Christmas based on its meager budget without having seen it. As the star of A Charlie Brown Christmas says, “Sigh.”

Here’s a nice write-up about the coming event from the Muscatine Chamber of Commerce.

There’s been a ton of coverage on the Net but much of it is similar, so I won’t put all the links here.

Finally, however, here’s what our local paper, the Muscatine Journal (where I once worked) has to say.

And this just in:

M.A.C.

Death By Fruitcake Premiere & Blue Christmas Blu-Ray & DVD

Tuesday, October 15th, 2024

For many of you, spread around the country (and even around the world), who are kind enough to follow these update/blog entries, this info will not be terribly relevant. But for those of you in Eastern Iowa or nearby Illinois – or are crazy enough to make a long drive – we want to make sure you know about our two-night premiere weekend showings of Death by Fruitcake.

Death by Fruitcake Premiere Poster. November 1 & 2, 7 p.m., Palms 10 Muscatine Theater

While it’s possible a screening or two will take place in Davenport and Cedar Rapids, this could be the only opportunity to see the new film in 2024. Its life as a limited theatrical release and on physical media, and streaming, will not occur until well into 2025…perhaps as long as a year from now.

These hometown screenings at the lovely Palms Theater will (as the poster art specifies) be on Friday Nov. 1 and Saturday Nov. 2 at 7 p.m. both evenings. On Friday, we will have stars Paula Sands and Rob Merritt on hand as well as other members of cast and crew, including Barb and me (and producer/editor Chad Bishop). And on Saturday, we will have Paula and co-star Alisabeth Von Presley “in the house,” again with other cast and crew members present. Both nights a Q and A will follow the screening.

The Friday night screening is reserved seating. The Saturday screening is open seating. The Palms is taking advance reservations now and you can go here to get your tickets. Publicity in the area is starting up, so if you have a desire to attend, now is not too early to act.

As you may know, Paula and Alisabeth are portraying our amateur sleuths Vivian and Brandy Borne from the long-running Antiques/Trash ‘n’ Treasures mystery-novel series written by Barb and me (as “Barbara Allan”).

Those of you who’ve seen my movie Mommy’s Day will remember seeing Paula Sands (as herself) there. Paula recently retired from Channel 6 (KWQC-TV) in Davenport after an Emmy-winning decades long run as one of the most popular talk show hosts in the Midwest with her Paula Sands Live.

And Alisabeth appeared on both American Idol and The American Songwriter Contest. She gigs not only in the Midwest but all around America and beyond, a remarkable performer who took her first starring movie role in Blue Christmas, for which she won the Best Actress “Award of Excellence” from the Iowa Motion Picture Association.

Barb and I are frankly thrilled with the way Paula and Alisabeth have brought our amateur sleuths Vivian (aka Mother) and Brandy to life. And Sushi is in it, too.

Here’s a teaser trailer.

Additionally, the Palms and likely a number of other theaters in Iowa’s Fridley chain will be showing Blue Christmas, tentatively scheduled for a week-long run beginning Nov. 8. You don’t have to live in Iowa, or commute to the state that put Barack Obama on the map, either, to see our award-winning little film. Pre-orders for the Blu-ray and DVD can be made here.

Blue Christmas Blu-Ray cover

We’re getting some nice advance coverage, including this from Inside Pulse.

And this from Andersonvision.

We also got some nice coverage from Blu-ray.com, although some of their forum members gave us some nasty snark. Apparently these self-appointed experts don’t know the difference between a $15-thousand dollar budgeted movie and a $100-million dollar budget movie.

Actually, had everyone been paid on Blue Christmas, the budget would have been at least $100,000. The same is true of Death by Fruitcake, although that budget (the real one was $25,000) would be around $250,000. Still chump change (or perhaps a day’s worth of Craft Services) on a Hollywood production.

For those of us who have been movie fans for decades, we know the difference between a movie directed by Roger Corman and a movie directed by William Wellman. Both Blue Christmas and Death by Fruitcake are micro-budget productions, but I am proud of them both. What I like about this budgetary level is that nobody screws with me or my script. It may require me to think small – Blue Christmas is shot on one set with a six-day shooting schedule, Death by Fruitcake at a single location (a community playhouse where the action takes place) on an eleven-day shooting schedule. (Both films had additional Second Unit location shooting of a day or two.)

But that’s a small sacrifice compared to the big satisfaction of doing something your own way.

If you enjoy my novels, or my comics, I hope you’ll give Blue Christmas a look on physical media (we should have news on streaming soon) and, if you can make the trip, to one of the two screenings of Death by Fruitcake on Nov. 1 and Nov. 2. I am happy with them both. I hope you will be, too.

Finally, the great website Thrilling Detective has given Richard Stone (hero) (anti-hero?) of Blue Christmas his own page.

M.A.C.

A Perdition Screening, Falcon Begins, True Noir Continues!

Tuesday, October 1st, 2024

We have an event coming up on Sunday, Oct. 6, at the Putnam museum in Davenport, Iowa, a special screening of Road to Perdition. The details are here.

Road to Perdition event info
The Maltese Falcon 1st printing hardcover cover.

In the meantime, I’m wrapping up the research phase of The Return of the Maltese Falcon and should begin the actual writing by sometime this coming week. The research consists of me marking up, text-book style, a copy of The Maltese Falcon as I go through reading it in depth (and am reminded what an incredible writer Hammett was, and what an incredible book The Falcon is); plus material on San Francisco in the late 1920s. The great J. Kingston Pierce of The Rap Sheet sent me a picture book he wrote and assembled on the city, a resource that’s going to be invaluable.

Barb and I also screened the 1941 Maltese Falcon (on beautiful 4K) and films from novels don’t come more faithful – but it’s fascinating to see what director John Huston left out. Hammett’s Spade is much more ruthless than Bogart’s. Also, it’s illuminating to see how Hammett – without ever going into Spade’s mind – tells us things, including just what his relationship with secretary Effie Perrine really is.

I’ve said this before, and it’s not exactly a revelation; but Hammett completely creates the private eye genre, perfects and then abandons it, in The Maltese Falcon. Don’t talk to me about Race Williams – I’m a Carroll John Daly fan, have all of the books, but his take on the private eye (however much impact it had on Mickey Spillane) did not establish either the tropes or the artistic possibilities of the private eye novel.

While I’ve been very busy this year, I haven’t dug into the writing of a novel for a while, tied up with filmmaking and scripting True Noir: The Assassination of Anton Cermak.

Where True Noir is concerned, I’ve also been attending (by Zoom) much of the recording, which is nearing its end. This past week we recorded Patton Oswalt (a great guy) and have two more sessions with our Nathan Heller, Michael Rosenbaum, who is absolutely spot on as Nate. Robert Meyer Burnett, the director and another of the producers on the project, is hard at work editing the enormous project (ten audio episodes) and, based on what I’ve heard to date, is doing a remarkable job.

For now, the True Noir Kickstarter page is still active and you can order the audio drama there in various forms (from downloads to physical media) right now.

True Noir’s Nathan Heller, Michael Rosenbaum
True Noir’s Nathan Heller, Michael Rosenbaum

I will be working on lining up the Iowa theatrical release of Blue Christmas, and a premiere event or two for Death by Fruitcake. I’ll be trying to do some promo for both. Over the weekend, I went over “check discs” of the blu-ray and DVD of Blue Christmas for Bob Blair at VCI, who are distributing it through MVD. Here’s one of the places you can pre-order it.

Here’s the sleeve.

Blue Christmas Blu Ray sleeve.

The Blue Christmas Blu-ray is almost ridiculously overloaded. In addition to the movie itself, there’s a trailer, a feature-length commentary with me and producer/editor Chad Bishop, a documentary on yrs truly, over an hour-and-a-half of Q and A at the various premieres around the state of Iowa, and a booklet where I discuss the origin of Blue Christmas. The DVD is packed, too, but lacks the 90-minute-plus Q and A/premiere stuff – the commentary’s there, and the booklet, and the documentary about, well, me. It was produced by Muscatine Community College in 2023 when I was deemed a “legend” (in my own mind?).

There is a connection between some, if not all, of these things. Blue Christmas is essentially a rumination on both The Maltese Falcon and A Christmas Carol (specifically, the 1951 Alistair Sim film version). Nathan Heller is my take on the private eye that Hammett – and Chandler and Spillane – developed.

My thanks to all of you who drop by here to see what I’m up to, and provide your generous support.

M.A.C.