Posts Tagged ‘Antiques Series’

Now Hear This – Sam Spade Speaks

Tuesday, January 27th, 2026

The audio book of my novel Return of the Maltese Falcon is available now.


Digital Audiobook: Nook Kobo Google Play Apple Books

Here’s a preview of the narration by Dan John Miller:

Let’s talk about Dan John Miller for a moment. I have two narrators of choice (and I’m usually asked by the audio publisher who those narrators are). One is Stefan Rudnicki, who took over for Stacy Keach on the last batch of Mike Hammer novels, and has become the voice of Quarry.

The other is Dan John Miller, who has done quite a bit of my stuff but is most importantly the voice of Nate Heller. You can hear him as Heller most recently on The Big Bundle and Too Many Bullets.

Another narrator who is a favorite of Barb and mine, who has done the last several Antiques novels, is Gabrielle de Cuir. We’ve not been fans of previous readers, one of whom read Vivian Borne with a Southern accent (!). (Yeah, Iowa is definitely the deep South.) She has also read, with full sound effects and scores, the Fancy Anders novellas. (We’ve had a recent nibble on my completed Fancy Anders novel – I’ll let you know if/when that happens.)

Return of the Maltese Falcon seems to be doing very well, with the exception of apparently Barnes & Noble, who don’t seem to be stocking it very aggressively.

Why? (You may ask.) Barnes & Noble bases its orders by an author on what the previous author’s book’s numbers were. They seem to routinely carry my stuff, but in the mystery section with a copy or two. That we have scored three rave reviews by the three industry reviewing services (Publisher’s Weekly giving us a starred review), are doing well at Amazon, and that this is a sequel to what is widely considered the best private eye novel ever written, appears to carry no weight.

Don’t know what I can do about it, although if you are a regular shopper at a Barnes & Noble (as I am), and you don’t see the book, please inquire and make a small fuss. Small. If you want to order it from the store (a process that seems rather pointless in these online days), do so.

Also, if you are hardcore enough, snap a photo of Return of the Maltese Falcon in the wild – particularly if it’s a Barnes & Noble. I will run it here. A photo here represents what J. Kingston Pierce of the essential Rap Sheet sent along.


Madison Books, Seattle. Photo: J. Kingston Pierce.

Meanwhile, terrific notices keep coming in.

Here’s one I’ll share with you by Craig Zablo, who knows his stuff (that dreams are made of).

RETURN OF THE MALTESE FALCON

First sentence…
“Samuel Spade, leaning back in his swivel-chair, studied the modest pine tree that might have sprouted tinsel-trimmed from where his late partner’s desk had till lately stood.”

The Overview: Beware of Spoilers…

THEN…
Detective Sam Spade was pulled into the search for the legendary Maltese Falcon, a jewel-encrusted gold statuette intended as a gift for the 16th century King of Spain. Spade’s partner was murdered. Spade was the prime suspect.

Brigid O’Shaughnessy who hired Spade, was willing to use money, her female charms and anything else to get Spade’s protection from criminals after the Falcon. The others were Casper Gutman, an obese gentleman malefactor and his thugs, Cairo and Wilmer Cook. Gutman depended on his brains and lies. When that didn’t work, Cairo and Cook would use their guns.

In addition to Spade’s partner, two others were killed in pursuit of the bird. Turns out Brigid was the murderess. She’s now behind bars. So is Cairo. But the story doesn’t end there…

NOW…

About a week has passed since Sam Spade’s life was upended. Rhea Gutman, the teenage daughter of Casper Gutman, wants to hire Spade to find the Maltese Falcon. Rhea informs Spade, her father was murdered, but she wants to complete his life’s mission. Rhea believes the Falcon is somewhere close. Spade accepts her retainer.

In short order, Spade is approached independently by several people who also want the Falcon.

Dixie Monahan, an infamous and dangerous Chicago gambler. He has no legal claim to the bird, but sees an opportunity to make money.

Corinne Wonderly, the younger sister of the imprisoned Brigid O’Shaughnessy wants to get and sell the Falcon. She plans to use the money raised to help her sister get a good lawyer.

Stewart Blackwood is a British Museum curator. He claims that he legally purchased the Maltese Falcon and it was stolen. Blackwood has a bill of sale.

Never one to turn down money, Spade accepts retainers from each.

Spade then works to untangle the lies, double crosses, twisted motivations and shifting alliances brought on by greed and self-preservation. Several people have already died in pursuit of the jewel-encrusted bird.

More will as well.

+++++

Recently Max Allan Collins gave away several copies of Return of the Maltese Falcon. I was a lucky winner. Truth be told, I would have bought a copy had I not won one.

Collins is an author that I follow. I’m a huge fan of Max Allan Collins’ Nate Heller series. Every new Heller tale is a must-buy for me. Collins also completed several of Mickey Spillane’s Mike Hammer novels (from partially finished manuscripts and outlines). I’ve read almost all of them. Collins’ Quarry crime novels are also good. I’ve read some of them. Same could be said for Collins’ Ms. Tree comics, his Dick Tracy strips and his movie adaptations and other novels. Max Allan Collins can be counted on to deliver a great tale each time out, but it’s his Nate Heller series that does it best for me.

Return of the Maltese Falcon shouldn’t be thought of as a sequel. It’s a continuation of the story. Taking on Hammet’s classic characters was a bold move. I’m very happy to say that Collins met the challenge.

Collins is to be commended. Not only for daring to step up and continue Hammet’s classic, but also for his ease at transporting readers to 1928 San Franciso. Collins take on Spade and the other characters feels like Hammet from their motivations to dialogue. Collins’ humor (just the right amount) and witty dialogue shine. The plot twists are unexpected, but not outlandish. They work to provide a surprisingly and satisfying climax.

Return of the Maltese Falcon not only reaches the bar set by Collins’ Nate Heller novels but that of Hammet in the original tale. I don’t say this lightly.

I’d love to see Collins provide us with another Sam Spade outing. Maybe even one that crosses over with Nate Heller.

Return of the Maltese Falcon gets my highest recommendation.

Rating: FIVE STARS

Here is another one:

Marvin Minkler – Modern First Editions·
Return of The Maltese Falcon.
Max Allan Collins.
Hard Case Crime/Titan Books.
First Edition – January 2026

“Don’t be too sure I’m as crooked as I’m supposed to be. That kind of reputation might be good business – bringing in the high-priced jobs and making it easier to deal with the enemy.” – Sam Spade in Dashiell Hammett’s The Maltese Falcon.

What ever became of the Maltese Falcon…

Closed the covers on this deeply satisfying journey back to San Francisco 1928, and to the Spade & Archer detective agency office of Sam Spade, soon after the events of Dashiell Hammett’s classic novel, The Maltese Falcon ended.

Max Allan Collins has penned a well written, researched, and respectful sequel to the search for the “dingus” as Spade calls the golden bird.

Familiar faces return; alluring femme fatales beckon, grifters, killers, and cops. The pages fly by, the chase is on, and as the plot thickens, bodies fall, the reader is pulled in, enjoying the ride, and loving it all. This is a damn fine book.

The author’s respect for Hammett and the genre is apparent on every page. As Max Allan Collins writes in the epilogue the novel is “a kind of love letter to Dashiell Hammett and the private eye form.”

Highly recommend.

* * *

I don’t talk politics here except very, very rarely. I do this because I want to respect the opinions of others and, frankly, I have no desire to alienate friends, which is how I view anybody who reads my work and comes back for more.

There is always, as Pee Wee Herman wisely said, a big but.

Last week I posted a link to an article critical of the Trump Administration. I didn’t do it here: I mean for this to be a politics free zone. But some of what’s been going on, particularly in my neighboring state of Minnesota, where some of Barb’s relatives live, makes it tough to stay silent and live with myself. The people up there are almost as nice as those in their neighboring Canada.

I got about fifty “likes” or “loves” from it, and a dozen comments, mostly favorable. A couple weren’t and one of them troubled me – not because of a political disagreement. Two things stop me from posting or responding to political stuff because (a) a few years ago I lost one of my best friends that way, and (b) nobody – NOBODY – ever won an argument on the Internet. Zero minds have been changed.

Still, I’d had enough and said so by sharing an essay by the Bulwark’s Jonathan V. Last, a writer I much admire.

Now as to the troubling comment. I am not going to reprint the writer’s name because I have no wish to embarrass or shame him, nor do I want to pick a fight. I only share this because the writer is fellow fiction writer, a thriller and private eye novelist who appears to be quite successful. I’d never heard of him but that means nothing. The only fiction writers I pay attention to are dead ones.

This is his post: “You should have continued to stay away from politics. Now you’re just another asshole. Goodbye.”

Let’s start with the last bit: I don’t recall meeting or engaging in any way with this fiction writer. Maybe I have – I’ve been to a lot of Bouchercons and Edgar Awards dinners, so, yes, I may have. If so it was friendly. I can say this because I have never had anything but friendly meetings with fellow wordsmiths at either Bouchercon or the Edgars.

Let’s go to the first sentence: he’s probably right. I should have stayed out of politics for the reasons I’ve stated above. I particularly don’t want to do it here, because that’s not what you’ve dropped by for. You (thank you for this!) are interested in what books and movies and so on I have coming out, and maybe enjoy the occasional essay I write here about pop culture.

It’s the middle sentence that troubled me.

Hey, not the first time I’ve been called an asshole. My father routinely called me a smart-ass and I seem to have survived that.

It’s the rudeness, I guess, the lack of civility that kind of stunned me. I shouldn’t have been – because people for years have gone to Facebook and its ilk to misbehave, to say things to people they wouldn’t dream of saying to their faces.

I try to imagine an instance where I would call someone an asshole in public, much less one who was a fellow toiler in the mystery game. I am not famous but I am known within the field. There are other ways to be displeased with me and my opinions then saying goodbye to someone you never said hello to, as well as call that person an asshole in an apparent attempt to, what? Embarrass them?

A lot of things are going on right now that are worth complaining about. But must we cross the line into truly hateful speech? Mickey Spillane and I did not agree on politics, but it never got in the way of the greatest friendship I ever had with a fellow writer…and I’ve had some good ones. I mean, he fucking entrusted Mike Hammer to me. We did talk politics, rarely, but it never got nasty. We were friends. Fellow Americans. Fellow humans.

Before we all start holding hands and singing “Kumbaya,” let me just say one political thing and then I’ll stop: I know Nazi shit when I see it.

* * *

I completed my draft of Antiques Web (from Barb’s excellent draft) a day ago, and tomorrow will start the final read-through and tweak. That usually takes two days.

So we are very close.

I have also confirmed that there will be a DVD of Death by Fruitcake (the Antiques movie) out in February, simultaneously with its POD release. Much more later.

Also more on the Star City Festival and the upcoming wide release of the audio drama, True Crime: The Assassination of Anton Cermak.

* * *

Our friend Dave — caught in the wild reading Quarry!

Here’s a nice write-up about the Quarry novels and the forthcoming 50th anniversary novel in the series, Quarry’s Reunion.

Both Baby, It’s Murder (the final Mike Hammer) and Antiques Round-up (the most recent Antiques novel) are on Glen Davis’ favorite books of 2025.

One of Marshall Rogers’ 13 lasting contributions to Batman is my brief collaboration with him, launching the Batman comic strip.

Thanks for listening to my non-political political rant.

M.A.C.

Quarry on the Way, Return of the Maltese Falcon Here!

Tuesday, January 20th, 2026

Every time a bell rings, an angel gets its wings…and Max Allan Collins writes a book.

Ah, if it were only that easy, but the vagaries of publishing – writing books over time with several publishers printing the results in the same calendar year and even right on top of each other – mean that my efforts to make a living seem offensive to some.

This has been less of a problem lately, as much of my work has appeared either at Hard Case Crime or their parent company Titan; and the Antiques series is happily settled at Severn House (Antiques Web is the book I’m working on now, from my wife Barb’s first pass – we’re “Barbara Allan” together).

The announcement of Quarry’s Reunion, the 50th anniversary Quarry novel, has brought up the old question, “Is there anything we can do to stop this guy?”

At my age, I’ll be stopped soon enough. The point now is to get as many stories worth telling told while I’m still on the planet, and generate some income for what are inaccurately described as the Golden Years.

Quarry is fifty years old (actually older – dating to 1972 at the latest) because the first novel, Quarry (originally titled The Broker) came out in 1976. I did four books in the series and then was not invited back by Berkley Books. A hearty band of readers discovered the books and this led to a fifth novel, published in the ‘80s (Quarry’s Vote, originally titled Primary Target) and a handful of Quarry short stories. One of the latter got turned into a short film I wrote, “A Matter of Principal.” This led to the first Quarry film, The Last Lullaby, which I co-wrote. Quarry is called Price in that film because I didn’t want to allow any sequel rights. Here’s an article/assessment by Douglas Buck about all of that from 2020.

It also led to the novel The Last Quarry allowing me to pick the series back up on a more or less regular basis. The last few have each felt like the last book in the series, and Quarry’s Reunion is no exception. But he’s a hard character for me to shake off.

Incidentally, he’s not a sociopath, as he’s often referred to. If he were a sociopath, he’d be less scary or (or maybe I should say) not as disturbing.

Here’s the magnificent new Paul Mann cover.

Quarry's Reunion cover reveal

Right now I need to remind you that The Return of the Maltese Falcon is the main thing of the moment (month) (year) until November when Quarry’s Reunion comes out). We’ve had incredible reviews for Falcon, and most of the posted comments at Amazon have been favorable to say the least, though a few naysayers are among the gold.

The handful of complaints have included: it’s not a typical Collins book (agreed); Sam Spade gets beat up too much (actually, hit on the head twice, which is about P.I. par); it’s better that the falcon never be found (so a second book should end like the first?); and it’s generally “cheesy” (a complaint I’d take seriously if even just one example had been provided).

On the other hand, if you read Return of the Maltese Falcon, and like it, you’ll be doing it and me a great service by reviewing at Amazon and elsewhere. Reviews can be short – a couple of lines – or as in depth as you like.

Also, if you have a blog, a review there will be helpful. The Barnes & Noble site is useful, too.

It’s gratifying to get all these fine reviews. Here’s another by Scott Montgomery at the Hard Word.

But there are frustrations. Two trips to the nearby Quad Cities – to a Bam! and a Barnes & Noble – revealed no sign of the book on sale at all. Not on the New Releases, not in the mystery section, not even in local authors, the ghetto I wind up in, in this part of the world for having had the bad judgment to be born here and stayed.

If you spot Return of the Maltese Falcon out in the wild, take a photo with your phone and e-mail it to me at macphilms@hotmail.com.

I had such a great response to the book giveaway of Falcon that I was frustrated not to be able to send a signed copy to everyone who entered. What would you think about me getting a bookplate I could sign and send to anyone who requested one?

* * *

Here’s Crime Fiction Lover’s article on the forthcoming Quarry’s Reunion.

I appeared on You Tube on the popular Comic Book School show with hosts Buddy Scalera and Tom Fasolo, and with comic book and storyboard artist Jay Martin. It’s a fun show and you get to see Jay ink a page he drew based on a scene in The Return of the Maltese Falcon. This guy is good!

M.A.C.

You May Have Missed Some of These…

Tuesday, November 11th, 2025

I try not to be overly commerce-oriented here, doing topics (in the Bob and Doug vein) that might be of interest to readers of mine in a fashion that doesn’t necessarily promote something that’s just come out or is about to.

Many of you who stop by here are fans of Nate Heller and/or Quarry and/or Mike Hammer, and some of the other things I do are not of much – perhaps of any – interest. I want to speak to those readers right now and discuss a few things of mine that they may not have tried.

Yes, here at the Skippy Peanut Butter Company, we have both smooth and chunky style.

I have done very well at Amazon’s publishing line, Thomas & Mercer, with my back-list titles, chiefly Nate Heller but also the “disaster” series, the five Mallory novels and a few stand-alones. My frequent collaborator, Matthew V. Clemens, has co-authored five successful T & M titles with me, including the bestselling Reeder & Rogers political-thriller trilogy, notably Supreme Justice.

I also did two novels about small-town Chief of Police Krista Larson and her retired police detective father, Keith Larson, who solve crimes in tourist-trap Galena, Illinois. These were designed to be my American entry into the “Nordic noir”-style of mystery. The first, Girl Most Likely, did rather well. The second one, Girl Can’t Help It, is the only Thomas & Mercer title of mine that hasn’t “earned out,” i.e., made back its advance.

Girl Can’t Help It is also the only novel of mine that deals with my experiences as a rock musician (I was a “weekend warrior,” singing and playing keyboards, for almost sixty years). The lack of success the novel has thus far experienced may reflect readers of Girl Most Likely not liking that novel enough to try the second in the series. I hope that is not the case, but….Anyway, I had planned a third but that never happened, for obvious reasons.

But if you like my work, you will probably enjoy meeting Krista and her father.

If you’ve followed my Mike Hammer titles, in which I complete unfinished material from Mickey Spillane’s files, you may also be familiar with the three Hard Case Crime non-Hammer titles, Dead Street, The Consummata and The Last Stand. But are you aware of the one Spillane horror novel that I completed?

The Menace, published by Wolfpack, I developed from an unfilmed Mickey Spillane film script. I had done this previously with the western, The Saga of Caleb York, also Kensington titles. The Menace reflected Mickey’s desire to meet Stephen King on the latter’s home ground, a monstrous menace terrorizing a father and his mentally challenged son, who may – or may not – be imagining he’s being protected by a resurrected Aztec mummy. I like the book a lot, but it’s easily the least read Spillane/Collins title.


Trade Paperback:
E-Book:

One of the great disappointments of my writing life has been how few readers have found their way to the John Sand trilogy written by Matt Clemens and me. The conceit of these novels, set in ‘60s period, is that John Sand is the retired (and now unfortunately famous) secret agent who James Bond was based on. These gave Matt and me a chance to expose our inner Bondian natures, and I frankly think these books they’re terrific. They were published individually by Wolfpack. Here’s the third of the three.


Trade Paperback: Bookshop.org Amazon Books-A-Million (BAM) Barnes & Noble (B&N) Powell's
E-Book: Amazon
Audiobook: Amazon

I talk about the Antiques series here frequently, the slyly subversive “cozy” mysteries that my wife Barb and I write together. It’s the longest-running series of mine, at 20 books, and (as you probably know) we recently mounted a movie, Death By Fruitcake, based on a novella featuring mother-and-daughter sleuths, Brandy and Vivian Borne.

Look. You may be after the tough stuff I peddle, the hardboiled Heller, the noir poster-child Quarry, the uber-tough Mike Hammer; but the Antiques series is filled with wacky humor and twisty mysteries, and — if you haven’t tried one – you are (in my completely unbiased, wholly objective opinion) missing out.

Also, some longtime readers of the Trash ‘n’ Treasures/Antiques mysteries have fallen away since we moved the series to Severn House, our British publisher who sometimes don’t make us into your local Barnes & Noble or BAM! (This is not Severin’s fault – the stateside brick-and-mortar bunch are to blame, indie booksellers somewhat better about it.) But, at any rate, you may have been having trouble finding the last few Antiques titles. The current entry is a good one for longtime fans, who’ve fallen away, and new readers, who haven’t boarded the Serenity Trolley yet.


Hardcover:
E-Book: Nook Kobo Google PLay

I mentioned last week that my little micro-budget movie Blue Christmas is available at Amazon – $7.49 for the DVD and $10.87 for the Blu-ray.

Blue Christmas can be streamed now on Tubi and The Roku Channel for free with ads, and on Amazon Prime Video for a modest price. Tubi runs a handful of commercials up front before presenting the film without any interruption.

The source of Blue Christmas is my novella A Wreath for Marley, which is the lead story in my Wolfpack-published Blue Christmas & Other Holiday Homicides.


E-Book: Amazon Purchase Link
Trade Paperback: Bookshop Purchase Link Amazon Purchase Link Books-A-Million Purchase Link Barnes & Noble Purchase Link

Copies of the Blu-ray and DVD’s of Blue Christmas are perfect stocking stuffers. In my opinion. So would a copy of the Blue Christmas short story collection. And your personal bookshelves are yearning for all of titles here – unless you already have them, in which case…God Bless Us, Everyone.

* * *

Here is a fun review of Tough Tender at the Pulp, Crime & Mystery Books site.

Quarry gets some love from borg here.

And this is a terrific article on the film version of Road to Perdition.

M.A.C.

Happy Publication Day! And Conjuring Up an Injustice

Tuesday, October 7th, 2025

October 7 – the day this update appears – is the publication day of the new Trash ‘n’ Treasure mystery by Barb and me – Antiques Round-up!

Barb did a fantastic job on this one and I added my own touches, too. When she told me about some of the wacky things she was planning to do in this one, I had my doubts she – or anyone – could pull them off…but she did! “Yippee-ki-yay, Mother (and Brandy)!”


Hardcover:
E-Book: Nook Kobo Google Play

Barb is hard at work on her draft of the next book in the series, Antiques Web. She should be done by year’s end and I’ll saddle up for my draft come first of the year.

In the meantime, the movie that brings Brandy and her mother Vivian alive, Death by Fruitcake, should be available soon…we’ll let you know how, and where, to see it!

* * *

I have enjoyed the Conjuring movies, including the latest one (The Conjuring: Last Rites). I did wonder why in this latest installment nobody seemed to know how to switch on the lights when going into a room, but, hey – it’s a haunted house movie, so you need it dark.

The scariest thing about Last Rites is how cavalier Hollywood can be about giving credit where credit is due.

Before I get into this, let me say I am well aware that writers sometimes have to sign a work-for-hire agreement to get a gig. I signed plenty of those back when I was writing novelizations of movies and original novels based on TV shows. I get that.

But now and then something a writer has done as work-for-hire goes places nobody anticipated. For example, Joe Shuster and Jerry Siegel were screwed out of Superman because they had signed work-for-hire agreements when they were teenagers. It took decades – effing decades – for DC Comics to give anything to their estates and to include a “created by” screen credit for Siegel and Shuster on any new Superman movie.

Which brings me to Ed Gorman.


Ed Gorman (1941-2016) and his wife Carol

Ed was one of my two or three best friends in the writing business. He was probably the best short story writer in the genre. He was one of the best incredibly prolific writers of novels. I never read anything by him that wasn’t smart and engaging; he could be a little dark at times, but that was leavened with wry humor.

We used to talk on the phone, in those pre-social media days, for hour upon hour. He was incredibly affable and funny in those conversations, not only with me but in phone conversations with many others in the field. Nonetheless, he was notoriously a near recluse. I am one of the few people in mystery fiction who Ed spent time with in person. We even did some signings together, and he came to one of my band’s performances, at which he seemed loose and easy and to be having a great time. Later he told me he’d been terrified.

He was a unique person and a fine writer. I once told Barb that if I died before completing a novel to give it to Ed to finish. That’s how high my opinion was and is of him.

One of the ways Ed made a living was writing books for Ed and Lorraine Warren, the famous psychic/demon-hunter couple whose “real” adventures are the “factual” basis of the Conjuring movies.

Has anyone who saw one of those movies – and, again, I am a fan – believed them to really be “based on the true story”? That the outlandish things that happen on screen really did in real life? I don’t hold that against the Warrens or those who’ve turned their tall tales into films. I like a good scary story.

Here’s another.

One of the books Ed ghosted for the Warrens was called The Haunted. It became a TV movie and he may have received some payment for that, though I’m not sure. Ed did not receive a byline on the book, but the first page says this:

Special thanks and acknowledgment
to Ed Gorman for his work on this book
.

Ed developed The Haunted from 40 pages of notes provided by a reporter working with the Warrens, and spoke with both the Warrens and the Spurl family (who lived in the “haunted” house). I remember Ed telling me he didn’t have much to work from, and didn’t believe any of it anyway. So he just wrote a horror novel, he said, which would be sold as “non-fiction” (his quotes). He was clear about creating much of it out of whole cloth.

Ed was good at horror novels. Very good. He did most of them under the name “Daniel Ransom.” So the Warrens chose wisely.

The Conjuring franchise has made two billion dollars. The Conjuring: Last Rites had grossed over $187 million worldwide by September 7, 2025. The film’s debut included $83 million domestically and a record-breaking $104 million internationally.

The movie is based on The Haunted, which Ed Gorman wrote.

His estate has been paid not one cent.

He receives no screen credit, not even the acknowledgment that the original book carried on its first page.

It’s possible, maybe probable, that Ed signed a work-for-hire contract. It’s also likely he was paid only a few thousand dollars for the work. So maybe Warner Bros/New Line doesn’t owe him anything, legally. But I am of the opinion that, even so, his estate deserves a taste, and Ed deserves screen credit.

But that seems unlikely to happen.

As Count Floyd would say, “Scary, kids, scary!”

M.A.C.