Archive for the ‘Message from M.A.C.’ Category

San Diego Comic-Con 2009 Schedule

Tuesday, July 21st, 2009

THURSDAY, JULY 23

12:30 – 1:30 Crime: Usual and Unusual — The heart of crime fiction is a crime committed against people or institutions — but the range of subgenres is diverse and fascinating. Max Allan Collins, also Jeff Marriote, Alexander Irvine, Gregg Hurwitz, Thomas Greanias, Kat Richardson. Maryelizabeth Hart, Mysterious Galaxy, moderator. Room 3

Autographing: 1:30 pm – 2:30 pm AA1 (I will sign only the first half hour)

2:00 – 3:00 A Darker Shade of Ink: Crime and Noir in Comics — Crime comics are back with a bang! Darwyn Cooke (Parker: The Hunter), Greg Rucka (Gotham Central), and Steve Lieber (Whiteout) join moderator/noted mystery and comics writer Max Allan Collins (The Road to Perdition) to talk about the new incarnations of crime and noir in comics. Room 5AB

3:30-4:30 Seduction of the Innocent — No, it’s not the risen corpse of Dr. Fredric Wertham, it’s the superstar San Diego combo that rocked Comic-Con in the ’80s and ’90s. Together reminiscing, debuting their new con-exclusive CD, and taking questions on their comics, show biz, and musical careers are Max Allan Collins, Bill Mumy, Steve Leialoha and John “Chris” Christensen. Miguel Ferrer has a filming conflict and is unlikely to attend. Room 30AB

“SEDUCTION OF THE INNOCENT” Autographing: 4:30 pm – 5:30 pm AA7 — after panel (new CD for sale — limited to 200 copies!)

6:00 – 7:00 Vertigo New Ongoing Series/Crime Line — DC will be launching the highly anticipated Vertigo Crime Line with some of the top talents in the industry. Moderated by senior VP/executive editor, Vertigo, Karen Berger and senior editor Will Dennis. Max Allan Collins (making a new ROAD TO PERDITION announcement), Peter Gross, Jeff Lemire, Jason Starr, Chris Gage, Fabio Moon and others TBA. Room 5AB

NO M.A.C. AUTOGRAPHING SESSION AFTER THIS PANEL

FRIDAY, JULY 24

3:00 – 4:30 Scribe Awards/Media Tie-in Writers Panel — Attend the third annual presentation of the International Association of Media-Tie-in Writers (IAMTW) “Scribe” awards, honoring such notable franchises as CSI, Criminal Minds, The X-Files, Star Trek, Stargate, Star Wars, and Dr. Who. The presentation will be followed by a panel of nominees, including James Rollins (Indiana Jones), Matt Forbeck (Mutant Chronicles), Bob Greenberger (Hellboy), Keith R. A. DeCandido (Farscape), Stacia Deutsch (Dark Knight), Nathan Long (Warhammer), and Tod Goldberg (Burn Notice). Moderated by Lee Goldberg (Monk) and Max Allan Collins (G.I. JOE) Room 4

Autographing: M.A.C. plus other tie-in writers AA3 4:30 pm – 5:30 pm

SATURDAY, JULY 25

Autographing: M.A.C., Mumy, Christensen, Leialoha AA6 11:00 am – 12:00 pm

SUNDAY, JULY 26

UPDATE: Autographing: G.I. JOE signing/book giveaway, Del Rey Booth #1129 – 12:00pm

The Little Death Recording in Chicago, Trash ‘n’ Treasures

Wednesday, July 15th, 2009

This Monday (July 13), at a recording studio in Chicago, my novel for audio, THE NEW ADVENTURES OF MIKE HAMMER: THE LITTLE DEATH, was recorded with Stacy Keach and a gifted cast, including Second City/SNL star Tim Kazurinsky. The cast did great and producer/director Carl Amari was generous enough to allow me to sit in and give occasional direction myself. My pal Mike Cornelison (ELIOT NESS himself) came along from Des Moines to play Captain Pat Chambers of Homicide.

Max and Stacy Keach and Carl Amari
Max with Stacy Keach and Carl Amari

Max and Tim Kazurinsky
Max with Tim Kazurinsky

Mike Cornelison with Stacy Keach
Mike Cornelison and Stacy Keach

This three-hour, full-cast audio novel will be released by Blackstone Audio in October, and I have to say I’m really, really excited about it. Hearing Stacy read THE GOLIATH BONE was a thrill, but to be in the studio with him reading my lines (with Tim, Mike and other wonderful Chicago actors) made the thirteen year-old Mike Hammer fan in me very happy indeed.

“Barbara Allan,” which is to say Barb and I, are pleased to announce that we have won the following:

The Romantic Times 2008 Toby Bromberg Award for Most Humorous Mystery

Here is how the Romantic Times editors describe the honor:

“The Toby Bromberg Award is named in honor of RT’s longtime mystery reviewer, who passed away in 2002. To honor Toby Bromberg’s memory and to celebrate her enthusiasm and love for authors and the mystery genre, we have created an annual award to be given in her name.

“This year we are proud to announce the seventh recipient of the Toby Bromberg Award for Most Humorous Mystery Novel, Barbara Allan aka Max Allan Collins and Barbara Collins, for ANTIQUES FLEE MARKET, published by Kensington.”

Barb and I are thrilled to receive this award, the first such honor for the Trash ‘n’ Treasures series (although not our first nomination), and are particularly happy that the book and series were singled out for this particular award. The humor aspect of those books — often commented on by EQMM reviewer Jon Breen, who has expressed a suspicion that we are spoofing the cozy genre in the Brandy Borne and Mother mysteries — is second only in our collective mind to character.

We would be the first to admit that the mystery itself is of a secondary concern to us. We often comment on the fact that the series we love most — Rex Stout’s Nero Wolfe novels — is one whose entries we can re-visit again and again, rarely remembering “who did it,” but having so much fun with Archie and his boss that we don’t care. In fact, we like it, because we can enjoy the stories again and again.

Antques Bizarre

This is not to say we don’t care about the mystery. Just that it’s not our major concern, although we’ve tried to work on that side of things, and the forthcoming ANTIQUES BIZARRE (next March, as usual from Kensington) is probably the best mystery we’ve done so far.

ANTIQUES FLEE MARKET will be out in paperback in November, with a terrific new cover. In the spirit of humor, we’ve been lobbying for more comic-oriented artwork and Kensington has really come through for us, as you can see here.

I know some of my fans — the hard-bitten Nate Heller and Quarry bunch — avoid these novels. I often have male fans tell me their wives love the books. Fine. But be secure enough in your masculinity to read these, because humor plays a big part in most of my work, and these novels are the funniest stuff I (help) turn out.

Whether we’re spoofing the genre of not, well…let me fill you in on how we came to do this series. Barb and I had done two standalone novels together. The first, REGENERATION, was a minor paperback original bestseller; the second, BOMBSHELL, our Marilyn Monroe Meets Nikita Khrushchev thriller, wound up at Five Star, where it was one of that small company’s best sellers…but we’d had higher hopes. We thought it was time to find a series to do together.

Antques Bizarre

Michaela Hamilton, who had been my first Nate Heller editor at NAL, had moved to Kensington Books. We were chatting on the phone about how nice it would be to work together again, but she said, “I’m doing cozies…that’s not exactly your cup of cyanide.” (Cozy editors talk that way.) (Actually, they don’t. I made that up.) Anyway, I said Barb and I had been wanting to do a series together, and that we were big Christie fans (although Christie isn’t really that cozy — those are nasty, violent books) and would love to take a swing at the genre.

We wrote a proposal from my notion of doing a Red Hat Society mystery, with an elderly eccentric detective and her forty-something widowed daughter. Michaela wrote back and said we didn’t understand her market. She needed a young-ish female protagonist, although a sidekick older gal was fine, as well as the following: a cute pet, a memorable, even exotic setting and an overall gimmick (i.e., crossword puzzles, recipes, etc.).

As a writing exercise (since I generally don’t believe in writing to market), we took a shot. We made the young protagonist a Prozac-addled divorcee of around thirty who had screwed up her marriage in the big city and went running home to Mama. We made Mama a bipolar diva of local theater who made Auntie Mame look low-key. For the cute pet, we (not caring for cats) gave our girls a diabetic and blind dog (based on a pet of ours we’d recently lost). For the town, the “exotic” setting was just our hometown, changing Muscatine to “Serenity” (after the TV series), making it an “antiquing” town (which to some degree it was). For our gimmick, we had antiques, but didn’t go the big ticket route, Sotheby’s and so on, rather having our girls be flea market, yard sale and even dumpster-diving bottom feeders. We gave our sample chapters outrageous puns for titles, and put on a supposedly helpful (but mostly just funny) tips for collecting antiques.

When we were finished, we really liked what we had (two chapters and a proposal), but thought Michaela would roll her eyes at our blatantly tongue-in-cheek, even subversive approach. We figured we had something Kensington would turn down, but that we might be able to market elsewhere. Instead, we got the best acceptance letter ever — one word in an e-mail: “More.”

We are working on the fifth novel now — ANTIQUES KNOCK-OFF. As for how we can collaborate and stay married, I’ll save that for a later update.

M.A.C.

The Goliath Bone in Paperback

Tuesday, July 7th, 2009

The Goliath Bone

THE GOLIATH BONE, the first of the Mike Hammer novels I’m completing from Mickey Spillane’s unfinished manuscripts (and notes), is just out in trade paperback from Harcourt. The cover is the same as last year’s hardcover, but it’s slightly smaller, taking my “with Max Allan Collins” byline from tiny to microscopic. Magnifying glass sold separately.

I loved doing this book, which is chronologically the final Hammer. Mickey was working on it at the time of his death in 2006, and asked me to complete it just days before he passed; around the same time he told his wife Jane that there would be a “treasure hunt” after he was gone, and to “give everything to Max — he’ll know what to do.” I don’t know if I’m prouder of anything in my career than having Mickey express that vote of confidence.

The novel was very well received, with several reviewers (including one by Thomas McNulty in the excellent fanzine The Mystery News) calling it “the best book of the year.” Kevin Burton Smith of Thrilling Detective website fame did a really nice review/article in Mystery Scene, and Bookgasm was glowing (great review web site, who called THE FIRST QUARRY the best novel of 2008). Some reviewers (and readers at Amazon, for one online source) complained that Hammer wasn’t the man of ONE LONELY NIGHT, which is among the dumbest comments I’ve read in any review (and not just of my books). I mean, Mickey stopped writing about the young psycho Hammer in 1952, and the subsequent Hammer novels from THE GIRL HUNTERS through BLACK ALLEY were about a post-crazed Hammer (both those novels are about a weakened Hammer having to bluff his way on his old reputation). Several reviewers bitched about “constant” references to Hammer’s age in THE GOLIATH BONE, when there are probably about half a dozen such references at most. A few did the math and decided it was unrealistic for Hammer to still be around fighting Al Qaeda, to whom I ask: at what point did you decide Mickey Spillane was doing “realism”?

The novel is designed to be that rarity — like THE REMORSEFUL DAY, CURTAIN and THE LAST QUARRY — a final novel in a series. Let me go on record about reviewers professional, semi-pro and amateur: if you review a novel on your terms and not the author’s, then stop writing reviews and write your own damn book (to paraphrase Lloyd Kaufman).

Mickey Spillane

The second of the Spillane/Collins Hammer novels, THE BIG BANG, will be out in the Spring of 2010. I got an even bigger bang (deal with it) out of this one, as it was a 1964 manuscript and is really vintage Hammer, probably tougher and sexier than any of the Hammer novels Mickey completed and published in the 1960s. It has hippie chicks and LSD and Mafiosi and is pure Swinging Sixties. The next one, KISS HER GOODBYE, is a ’70s Hammer that I’ll be doing late this year for 2011 publication. That will conclude the current contract, but there are three more substantial Hammer manuscripts — including one from 1948! — that I hope to complete as well. There’s also a sequel to THE DELTA FACTOR that may be done for Hard Case Crime.

Some may recall that KING OF THE WEEDS has been mentioned as one of the first batch of Hammers. That novel is another one about the older Hammer, and I decided to move it to the last position among the six unfinished novels, because I believe GOLIATH BONE and KING OF THE WEEDS will bookend nicely.

On a different note, I hope you’ll support the film PUBLIC ENEMIES, which is Michael Mann’s very good take on the Dillinger story. I have a typically selfish agenda here, because if this movie is popular, any number of my projects (the ROAD TO PURGATORY film in particular) will benefit. Interestingly, PUBLIC ENEMIES has a fair amount of Frank Nitti material — which I frankly (sorry) don’t think would be the case if not for the film of ROAD TO PERDITION. Similarly, the fine nonfiction book that spawned Mann’s film explored theories and information first developed by me and my research associate George Hagenauer for TRUE CRIME and for our infamous trading card series that was later collected in another book called TRUE CRIME. Though I really admire the book PUBLIC ENEMIES, I am not mentioning the author’s name. He didn’t mention mine or George’s in his bibliography, so — in the true Mike Hammer spirit — I’m getting even, a little.

M.A.C.

Seduction of the Innocent: Live @ San Diego Liner Notes

Tuesday, June 30th, 2009

First off, I should note that THE FIRST QUARRY has now received two nominations, for an Anthony and a Barry Award, both for best paperback. The fields of other nominees are tough but it’s nice to see the book noticed. It is frankly weird to have started back up a series I began in college in the ’70s…but fun. Both awards are given at Bouchercon, and I’ll be there.

Second, for eastern Iowa fans and friends: Crusin’ is playing July 4 on the Pearl City Plaza patio for the Underground restaurant. This is the same location where we played not long ago to a capacity audience. We’ll start around 6:45 PM and play up to and for a while after the fireworks (with a great view from the patio). We are doing a mix of originals and classic rock, leaning on bands we appeared with.

Fans everywhere should check out this review of G.I. JOE: ABOVE AND BEYOND at Bookgasm.

When I did that 4 favorites thing last week, I inevitably left some favorites out. There were many of ’em, but I should probably have included LI’L ABNER as one of the four musicals/comedies I could watch over and over. Can’t believe I left that out. It has my favorite exchange in any movie, when Abner (Peter Palmer) asks Appasionata Von Climax (Stella Stevens) about the arrangement with General Bullmoose:

“Does you get bed and bored?”

“Extremely.”

Among the many TV shows I listed, I should have included THE MATCH GAME, particularly the Richard Dawson years. Apparently he didn’t get along with Brett Somers and Charles Nelson Reilly, but they were a great comic trio. You need to seek out THE LIFE OF REILLY, by the way, the wonderful one man show movie with CNR near the end of his life. Very talented and funny man.

Elvis Costello would have been among my favorite male singers but I am among those he continues to irritate with his non-rock ‘n’ roll albums. The current blue grass thing is listenable, at least, unlike the opera singer one (the woman sang horribly off-key) which I threw off the Centennial Bridge crossing from Davenport to Rock Island (the CD, not the female opera singer, though I would have if I’d had the chance).

Seduction of the Innocent: The Golden Age CD Cover

The San Diego Con is coming up, and Seduction of the Innocent — my “comic book” rock band — is a guest. We aren’t playing, because the con doesn’t have the right venue for us. But we will be doing several signings (dates TBA), and will have 200 copies of an official bootleg of our 1999 gig at San Diego. It includes lots of garage band stuff and a few originals. If we bring any copies home, they will be available here.

I wrote liner notes, but eventually had to edit them way down. I thought you might like to see the longer first draft:

It started with my son Nate, in 1987 only five years old and listening to Dr. Demento. Which meant I was listening to Dr. Demento, too, and got interested in “Fish Heads” and “Party in Your Pants” and other great bad-taste tunes from Barnes & Barnes. I knew Bill Mumy was half of that duo, and approached him at a San Diego Comic Con dance honoring Jack Kirby. He signed something for me, we chatted, I got introduced to Miguel Ferrer, and (since I was a comics pro) got invited to hang out. I knew Steve Leialoha through cartoonist Trina Robbins, and he joined this informal gang as we stood taking in a band that none of us liked. I said to Bill, “We could go up there cold and do better.” (I knew Miguel had been a session drummer.) Bill agreed. Steve, in his low-key way, smiled and said, “I play bass.” Somebody from the con (Jackie Estrada?) eavesdropped all this, and by the end of the evening we had been invited to play at the next San Diego Con. Miguel named the band “Seduction of the Innocent” that very night.

My ‘60s revival band Crusin’, back in Iowa (still together!), had a list of garage-band stuff that Seduction built its set list around. Bill added in some very hip things, like “Cinnamon Girl,” “All Along the Watch Tower” and “Shake Your Hips,” and we practiced in his living room, blowing out all the speakers on his stereo (I don’t believe we ever reimbursed him). It fell together pretty easily and we liked each other’s company, and laughed a lot. That’s all it takes for a band to work.

Over the next decade, we played San Diego numerous times and had a few other assorted gigs (Wondercon, Charlotte Heroes Con, a private party at the Santa Monica Pier). Chris Christensen (who had produced a Will Eisner LP) offered to put out a Seduction CD. We wrote songs for it, recorded it at Bill’s (not using his stereo speakers) and it came out well. “Pussy Whipped” got some airplay, even back in Iowa (Crusin’ had to learn it). Around then, Chris joined the band (playing drums when Miguel sang out front, and guitar when Miguel drummed) and was a terrific addition. We made a music video of “The Truth Hurts” (with our friend Brandon Lee) and played the original stuff at cons. Finally San Diego got too big and unwieldy to find room for us, and this live performance was our last to date…although smaller cons are free to inquire about gigs. We are actors and artists, and can be bought.

Max Allan Collins

2009