Archive for the ‘Message from M.A.C.’ Category

Alisabeth Von Presley, Eliot Ness and the Basement from Hell

Tuesday, April 7th, 2026

This from Alisabeth Von Presley on instragram:

You guys!!! The movie I filmed last year is officially OUT and I’m screaming.

Death By Fruitcake is finally here!! I play the daughter of a local theatre diva, and together we accidentally (and very fabulously) get wrapped up in solving a murder… don’t worry, it’s chaos in the cutest, funniest way possible

You can stream it on Amazon or grab your own copy (which, obviously, you should).

Directed by the incredible Max Allan Collins. Truly one of the most joyful humans to work with. I loved every second of this experience with him and the entire cast & crew!!

* * *

Here’s Tim DeForest on Bullet Proof:

Eliot Ness #3: Bullet Proof, by Max Allan is the third of Max Allan Collins’ excellent hard-boiled series set in the 1930s and featuring Eliot Ness. It’s set after Ness’s Untouchable days, when he worked as Safety Director in Cleveland, running both police and fire departments.

Collins’ novels are fictionalized versions of cases Ness actually worked. In this case, he’s looking into labor trouble. A couple of smart racketeers are entrenched in important union positions, using this to extort money out of local business owners.

Ness’ problem is getting enough of the victims to testify, since doing so could be dangerous to their health. In the meantime, Ness recruits an old friend who is involved in the unions to help gather evidence. The friend is an old union hand, but recognizes that the racketeers aren’t doing the working class any favors.

Eventually, the situation escalates from vandalism and extortion to murder. There’s an attempt to hit Ness as well, but the top cop comes up with a clever plan to gather supposedly lost ballistics evidence and soon finds himself stalking a killer through a warehouse filled with plate glass.

It is yet another great entry in this great series. The story progresses logically and Collins presents Ness as a strong, smart protagonist. Characterizations of both good guys and bad guys are excellent.

It’s available here in a $10.99 trade paperback.

There is also a four-book collection of all my Ness novels in Kindle e-book format.

And Wolfpack has 16 of my novels (some with Mickey Spillane) as well as other e-book collections. If you haven’t read the three John Sand novels (Matt Clemens and I paying tribute to James Bond), the two Mommy novels, the Blue Christmas collection (with the novella that is the source of the film), or my pre-Antiques series collaborations with my wife Barb, this is where you’ll find them: https://wolfpackpublishing.com/collections/max-allan-collins

* * *

As I await hearing from one of my regular publishers on a book proposal, Barb and I have gone into Extreme Spring Cleaning mode.

To say our basement – home to many books, magazines, comic books, DVDs and laserdiscs – was overdue for attention would be a ridiculous understatement.

The shelves in what should be a library have become overstuffed and random, where for years they had been reasonably well-organized. Much of my Nathan Heller and other historical research lives there, until recent years decently curated. Now what should be an array of wonderful reading material looks like the Yard Sale from Hell.

Barb and I have spent most of two weeks on the project of sorting and culling, boxing up books and DVDs and magazines and comics to go to Half-Price Books and Davenport’s Source Bookstore. I admit to prefering the latter, because Half-Price Books is Complete Highway Robbery; but when stuff has gotta go, it’s gotta go.

This has involved going into nooks and crannies where previous books, comics and mags have been subject to water damage. These go unceremoniously into the trash. Here’s the thing about going through sixty years of collecting: you face not just your own mortality, but that of physical objects.

Sorting correspondence has been rewarding, however, with letters turning up from Chester Gould, Mickey Spillane, Ross MacDonald, Brian Garfield and (a huge stash from) Donald E. Westlake. Less rewarding have been decisions about which runs of magazines to keep and which to get rid of.

The difference between hoarding and collecting, particularly if you don’t collect carefully, is a surprisingly small one. Rob Burnett keeps his DVDs and Blu-rays and 4K discs alphabetized, and I bet Terry Beatty knows where every collectible he owns can be found.

I have always been good about not going overboard with multiple editions. I do have various editions of the Father, Son and Holy Ghost (Hammett, Chandler, Spillane), but mostly I keep only one copy of any book I love. And deciding what to keep that doesn’t fall into the “love” category, say a book you liked, or a not particularly good book by a favorite author, well…that’s where Barb comes in. She snatches me from the jaws of insanity and pitches what questionable item I’m contemplating into oblivion.

And I have to say she’s incredible. For example. Barb has, from the start, never minded me buying men’s magazines. She’s been beautiful as long as I can remember (going back to my crush on her in the fifth grade), and her self-confidence has never been shaken by paper images. We have pin-up paintings all over the house and she likes most and tolerates the rest. When our son Nate was a little kid, his friends would look around wide-eyed and say, “Does your dad like girls?”

But how many women would patiently pile copies of Hustler and Penthouse into box after box to take to be sold to a book dealer for pennies, nickels and dimes? Few, if any other wives, would. She even insists on loading up our vehicle with boxes of books, mags and comics, not wanting me to risk my heart condition.

And it’s true that I can only work for a couple of hours before either taking a long break or hanging it up for the day. This kind of sorting requires a lot of up and down and reaching for this or bending for that, which is hard for a guy whose meds all come with dizziness and balance side issues. If just you’re starting to feel sorry for me, which I sincerely doubt, my most recent check-up showed that I am in incredibly good health for somebody with so much shit wrong with him.

I have known for a long time that my possessions come seriously close to owning me. Now I am finally getting even with them.

And even at this stage – past the half-way point – our basement lair is looking more like a library and less like a embarrassment.

M.A.C.

Dashiell Hammett and the Short, Guttural Verb

Tuesday, March 31st, 2026

I caution the easily offended – and even those who are understandably offended – but what I have to say in today’s update will frequently contain a certain word that likely originated from Germanic or Old Norse languages (e.g., ficken, fokken), meaning “to strike,” “thrust,” or “move back and forth.” It has for centuries been a forbidden, rude word. And it’s going to appear throughout this little essay.

So buckle up, or fuck off.

I remember the first time I heard the word. It was during recess on the schoolyard – specifically Grant School here in Muscatine, Iowa, in the mid-1950s. It came from a particularly scruffy kid and I knew, from the glee with which it was spoken, that I had heard something special, and not in a good way. I inquired of a fellow classmate and was told, in no uncertain terms, that this word was one that could get a kid (scruffy or not) in a world of trouble.

By junior high (this was now the late fifties/early sixties), the word sneaked out from the locker-room lips of my fellow classmates. The first time I saw it in print was in the novelization of the original Ocean’s Eleven (1960). It startled me enough that I remember the specific instance and where I was at the time (study hall).

And I didn’t see it again in print for perhaps a year – possibly in a Harold Robbins novel. But I read a lot of sleaze in those days (and nights) and can assure you its appearances on the page was infrequent.

By high school, however, the word ran rampant. My group of guys had nicknames for each other that we found absolutely hilarious – of course one of us was Fuck-head, another Fuck-nose, yes Fuck-butt and the supremely offensive Fuck-shit, which had us in stitches. Hard to believe as it may be, I do not remember which “Fuck” designate I bore.

By high school graduation in 1966, “fuck” was damn near casual among my male crowd, and by community college and my U of Iowa days it was beyond common among all sexes. Athletes and hippies alike were sporting and snorting language that had begun creepy-crawling into the American vocabulary after soldiers came back from fighting WW2 overseas.

As a budding writer – I began writing short stories and novellas in junior high, and novels in high school – I was struck by how rare the word “fuck” appeared in print, even as it had wormed its way into more casual conversational use. But even in those days, “fuck” had weight. It made a point.

I took great pride in being one of the first writers to use “fuck” and “fucking” and “fucked” rather freely in my fiction. I may have been the first to use the phrase “Jesus fucking Christ” (you’re welcome). I was breaking down, or anyway helping break down, a fairly stupid barrier. I felt that people in my novels needed to sound something approximating how people actually talked. “Fuck” coming out of the closet lost some of the word’s power, but that struck me as all right.

And yet.

“Fuck” has become something lazy writers use far too often, particularly in films. Recently Barb and I went to Ready or Not 2: Here I Come, a sequel to (not surprisingly) Ready or Not. We liked the first movie and had a great time with the second one, too. We were fine with the violence and the mean-spirited fun – we knew what we were getting into, after all. Not everyone likes those movies, but we find them enjoyable dark comedies.

And…yet….

The dialogue, as is so often the case now, was just one “fuck” (and its derivatives) after another. It’s a tempting word to use. It has a history of power, even if it’s lacking in power now. It’s so much more satisfying than “damn” or even “goddamn,” since you land on a soft “m,” and who is impressed by “god” anymore, anyway?

And “fuck” has that wonderful “fuh” at the start and hard landing on the “k.” But that hard landing is dulled by overuse. The opening episode of For All Mankind’s fifth season – a solid, smart show – presents an alternate history of the space program in which everyone seems to live on the planet “fuck.”

I’m not talking about the act of, you know, fucking. Just the word. I still like to use it for that special punch. That unexpected kick. Only it increasingly packs a lesser punch, and it’s become more and more the refuge of writers who think the more salt you shake onto the meal, well, the tastier it’s gonna be.

In writing Return of the Maltese Falcon, I had great fun doing variations on Hammett’s way around using the then-forbidden word “fuck,” when gunsel Wilmer Cook insults Sam Spade – “The boy spoke two words, the first a short guttural verb, the second ‘you.'”

So to all you aspiring writers, whether of novels or screenplays or comics, my advice is: use some goshdarn restraint. Sprinkle the salt on your prose, don’t pour the fucking shit – it’s not a Winter sidewalk.

Anyway, it’s Spring now, so back the fuck off.

* * *

Some folks have asked about the major missing list from my recent couple of rounds of lists, so here it is:

FIVE FAVORITE MYSTERY WRITERS
1. Mickey Spillane
2. Dashiell Hammett
3. Raymond Chandler
4. Rex Stout
5. Agatha Christie
(number six is Erle Stanley Gardner)

One of the reasons why I say “favorite” and not “best” is that these are personal distinctions, not absolute opinions.

Let’s rearrange the list.

BEST MYSTERY WRITERS
1. Dashiell Hammett (from which everything noir flowed)
2. Raymond Chandler (the biggest influence on the genre)
3. Mickey Spillane (the writer who transformed the genre)
4. Agatha Christie (the greatest plotter)
5. Rex Stout (the most entertaining)

So while Stout comes in #4 on my favorite list, and #5 on my best list, I have no trouble admitting that I’d rather sit down to read a newly discovered Nero Wolfe/Archie Goodwin mystery than something by anyone else on these two glorious lists.

No further explanations will be offered (probably).

* * *

I am pleased to see that Road to Perdition (the film) continues to attract attention, particularly as a notable movie based on a “comic book.” These are worth checking out.

https://intheseats.ca/the-its-lists-comicon-special-top-non-superhero-comic-book-movies/

https://fanboyfactor.com/2026/03/movies-you-didnt-know-came-from-comics/

* * *

My buddy Heath Holland’s Cereal at Midnight YouTube videos are always worth a look. Heath and I have been doing frequent commentaries for Blu-ray releases for the likes of Kino Lorber and Imprint. We’ll be doing one this afternoon.

Heath recently interviewed me about my return to indie filmmaking, by way of micro budgets. This covers ground no one else has. You may find this worthwhile.

* * *

The True Noir event at the Putnam Museum and Science Center in Davenport, Iowa, has been rescheduled for May 28 and 29 (the last Thursday and Friday of May). On the first night we’ll be screening the restoration of the 1941 Maltese Falcon on the Putnam’s IMAX screen, followed by Robert Meyer Burnett (flying in from California – I believe he’s lining up at the airport now) interviewing me about Return of the Maltese Falcon. On Friday we’ll be presenting in the IMAX theater the opening chapters of our full-cast audio drama (based on my novel True Detective), True Noir: The Assassination of Anton Cermak.

Much more about this as the event approaches.

M.A.C.

True Noir Followed by a Slice of Fruitcake – WTF?

Tuesday, March 24th, 2026

I’m not sure what compelled me to do two weeks of lists of “Five Favorites” here. I can say with confidence it was more about me looking back and summing up than trying to sway anybody about those favorites. I do admit to trying to bring new eyes and ears to Bobby Darin and Vanilla Fudge, but otherwise I was just taking stock of what has shaped and is shaping me, even at this late stage of the game.

Yesterday (as I write this) Heath Holland interviewed me about my return in recent years to indie filmmaking. I haven’t seen it, and don’t believe it’s been posted yet; but it felt good. I’ll provide a link here as soon as I can.


Heath Holland

I mention this, first, because I want to recommend Heath’s work on YouTube in general (under his Cereal at Midnight banner). He is one of the best and sanest of the champions of physical media out there right now. He and I have been doing commentaries (about 10 so far I believe) for various Blu-rays and 4K discs).

Also, as many of you know, I have a regular segment on YouTube as part of Robert Meyer Burnett’s show Let’s Get Physical Media, with the great Dieter Bastion. It’s a show that usually runs about two and a half hours, airing live on YouTube on Sunday afternoon (1 pm Central). And of course you can catch it anytime, after it airs, at your convenience. I usually come on about 2 p.m. Central and discuss discs I’ve recently watched, usually noir/mystery-centric movies or at least noir-adjacent. I stay for about an hour. There’s lots of movie talk and news of forthcoming physical media releases. I was a fan before I become, well, a segment.

Rob and Dieter have been great about promoting Death by Fruitcake, though I suspect it is anything but their cup of tea. They have also relentlessly given time to Return of the Maltese Falcon and to the Burnett/Collins collaboration, True Noir: The Assassination of Anton Cermak.

Rob will be coming to the Quad Cities some time in early May (exact date to be determined) for an event at the Putnam Museum in Davenport. (This event was supposed to be in early April but that didn’t work out.) We’ll be showing The Maltese Falcon on their big IMAX screen on the first night, followed with an interview with me about Return of the Maltese Falcon. On the second night we’ll present the opening chapters of True Noir, also in the IMAX theater.


Robert Meyer Burnett salutes True Noir

As I’ve mentioned, True Noir is now in wide distribution at your favorite audio source, with a four-CD set due soon from Skyboat. There’s also a soundtrack of Alex Bornstein’s wonderful score in the works, and I believe the entire audio drama will be available on Blu-ray in 5.1 with the collected chapter-by-chapter videos I made about the history behind this first Heller saga.

Enough about me. Let’s talk about you. What have you done for Max Allan Collins lately? I’m listening. I’m waiting.

Joking aside, you’ve done plenty. Many of you have reviewed Return of the Maltese Falcon on Amazon and elsewhere. That’s very helpful. The book is successful enough that serious talk is under way to do two Sam Spade follow-up novels. Barnes & Noble are carrying it widely now, again thanks to your nudging, although they have generally relegated it to the mystery section and not among significant new releases. BAM! has been much better.

Keep those reviews coming. If you’ve read the book, and like it, let Amazon know by way of a review, which can be as long or short as you like. If you didn’t like it, remember – silence is golden.

Death by Fruitcake can use your help, too – we have two lovely reviews at Amazon so far. It’s a little high-priced for a DVD (around $22) but unfortunately I can’t do anything about that. It’s streaming all over the place, but not free yet. That will come sometime next month, I think.

I was amused when Heath spoke of liking Fruitcake but being blindsided by what a different tone it has compared to my other work. (He had just listened to Michael Rosenbaum as Nate Heller in True Noir.) He also was not a fan or even familiar with “cozy” mysteries. But he did claim to have enjoyed our little movie, and particularly singled out Alisabeth Von Presley and Paula Sands for praise (not surprisingly).


Paula Sands and Alisabeth Von Presley in Death by Fruitcake.

And, for those of you who follow – or at least have sampled the Barbara Allan-bylined series my wife Barb and I write together – know, our Antiques/Trash ‘n’ Treasures mysteries are what you might call subversive cozies. They contain at least as much humor as mystery, and our tongues are in cheek throughout.

At 20 books, these novels about Brandy and Vivian Borne are arguably my (our) most successful series. The current one, Antiques Round-up, is a fairly wild ride, I think you’ll find. And we just delivered Antiques Web.

What am I – are we – working on now? Well, I am waiting to hear about the prospective Spade novels and a sequel to another successful property of mine, which puts me in a limbo in which I am not comfortable. Ditto for Barb, as the book we recently sent in is the last on the current contract.

I guess Barb and I are in an uber-Spring Cleaning mode, as we have descended into our basement to thin my book and magazines and DVD collections into something that can reasonably be considered contained. It’s ain’t easy, kids. I am looking at close to sixty years (choke!) of collecting…no, let’s be frank: accumulating…and to give you an idea, we took seven boxes of magazines and books to the Source Bookstore in Davenport last week, and another seven to Half-Price Books in Cedar Rapids yesterday.

And we’ve barely made a dent.

Do not think that our basement will be empty when we are finished. The goal is to turn it from a hoarding nightmare into a curated dream, and it’s going to be a year-long job (in and around the books we both have to write).

Or at least I hope we’ll have books to write. That depends on editors and readers, and obviously that’s where you come in – it’s why I’m after you to write reviews, and why I hope you’ll consider ordering Death by Fruitcake from Amazon (Oldies.com has it, too, a little cheaper but with postage that will sting if you’re used to no postage charges as an Amazon Prime member).

The success or lack of it for Fruitcake will determine whether I can muster my aging body for another run at a micro-budget indie or two. I have a horror film next in mind, and would love to do another Antiques movie, if my cast will come back.

The crazy thing is this: I have three major movie options going right now (Mike Hammer, Eliot Ness and Nolan, with Ms. Tree bubbling), which stand to generate a hell of a lot more income than another homemade micro-budget movie. But here’s how I look at it: I have had probably twenty-plus Hollywood options over the years, and exactly two have come through (Road to Perdition and Quarry). And I don’t seem to be getting any younger. So I just stay at it.

And as long as I am here, and you are here, I will.

M.A.C.

Why Didn’t I Include More? Okay, Here’s More

Tuesday, March 17th, 2026

When I provided lists of some of my favorite things (“raindrops on roses and whiskers on kittens” not included), I anticipated arguments or criticism or other words of displeasure that I might have the temerity to air my personal tastes.

Instead, I got support and even agreement (thank you!) but also unexpected disappointment that I hadn’t covered this or that or the other one.

So blame those correspondents for this second round of my personal faves (in no particular order), with a promise (a hope?) that I won’t be doing any more any time soon.

FIVE FAVORITE MALE SINGERS (ROCK)
1. Bobby Darin
2. Bobby Rydell
3. Bobby Vee
4. Rick Nelson
5. Roy Orbison


Bobby Darin Sings Anthony Newley

FIVE FAVORITE MALE SINGERS (POP)
1. Bobby Darin
2. Anthony Newley
3. Frank Sinatra
4. Dean Martin
5. Bing Crosby

FIVE FAVORITE FEMALE SINGERS
1. Karen Carpenter
2. Dusty Springfield
3. Dionne Warwick
4. Carole King
5. Kate Bush

FIVE FAVORITE COMIC STRIPS
1. Li’l Abner
2. Dick Tracy
3. Barnaby
4. Alley Oop
5. Terry and the Pirates

FIVE FAVORITE COMIC BOOKS
1. Vault of Horror
2. Crime SuspenStories
3. Spiderman (Ditko era)
4. Fantastic Four (Kirby era)
5. Dick Tracy (Harvey Comics era)

FIVE FAVORITE COMIC BOOK ARTISTS
1. Will Eisner
2. Johnny Craig
3. Wally Wood
4. Will Elder
5. Jack Davis

FIVE FAVORITE COMIX ARTISTS
1. Kim Deitch
2. Jay Lynch
3. Gilbert Shelton
4. Robert Crumb
5. Spain Rodriquez

FIVE FAVORITE COMIC STRIP MOVIES
1. Li’l Abner (1959)
2. Dick Tracy (AKA Dick Tracy, Detective) (1945)
3. A Boy Named Charlie Brown (1969)
4. Prince Valiant (1954)
5. Popeye (1980)

FIVE FAVORITE COMIC BOOK MOVIES
1. Road to Perdition (2002)
2. Batman (1966)
3. The Batman (2022)
4. Spider-Man (2002)
5. Superman II: The Richard Donner Cut (2006/1980)

FIVE FAVORITE ROCK BANDS
1. The Beatles
2. Vanilla Fudge
3. The Zombies
4. The Animals
5. The Association

FIVE FAVORITE ROCK ALBUMS
1. Rubber Soul
2. Zombies – Begin Here
3. Beatles for Sale
4. Renaissance (Association)
5. Renaissance (Vanilla Fudge)

FIVE FAVORITE NEW WAVE ARTISTS
1. Elvis Costello
2. Blondie
3. Kim Wilde
4. B-52’s
5. The Bangles

FIVE FAVORITE STAR TREK EPISODES
1. The City on the Edge of Forever (S1, E28)
2 Amok Time (S2, E1)
3. All Our Yesterdays (S3, E23)
4. Mirror, Mirror (S2, E4)
5. The Corbomite Maneuver (S1, E!0)

FIVE FAVORITE M.A.C. NOVELS
1. Flying Blind
2. Road to Purgatory
3. Spree
4. Quarry’s Choice
5. Return of the Maltese Falcon
BONUS “Barbara Allan” title: Antiques Chop

FIVE FAVORITE M.A.C. Comics Projects
1. Ms. Tree
2. Road to Perdition
3. Dick Tracy
4. Batman
5. Mike Danger

FIVE FAVORITE ADAPTATIONS OF MY WORK
1. True Noir: The Assassination of Anton Cermak (2025, audio drama)
2. Road to Perdition (2022)
3. “A Matter of Principal” (2003, short film)
4. Mommy (1994)
5. Blue Christmas (2024)

FIVE FAVORITE M.A.C. MOVIE NOVELIZATIONS
1. Saving Private Ryan (1998)
2. Maverick (1994)
3. In the Line of Fire (1993)
4. Daylight (1996)
5. The Mummy (1999)

FIVE LEAST FAVORITE M.A.C. MOVIE NOVELIZATIONS
1. G.I. Joe: The Rise of Cobra (2009)
2. I Spy (2002)
3. I Love Trouble (1994) (as by Patrick Culhane)
4. Dick Tracy (1990) (nightmare experience)
5. Road to Perdition (2002, as originally published)*

*Brash Books has published my original version

FIVE FAVORITE COMEDY TV SHOWS
1. SCTV
2. FAWLTY TOWERS
3. SGT. BILKO
4. LITTLE BRITAIN
5. CURB YOUR ENTHUSIASM

FIVE FAVORITE WESTERN STARS
1. Audie Murphy
2. Randolph Scott
3. Clint Eastwood
4. John Wayne
5. Lee Van Cleef

FIVE FAVORITE MALE STAND-UP COMICS
1. George Carlin
2. Norm MacDonald
3. Bill Hicks
4. Patton Oswalt
5. Rodney Dangerfield

FIVE FAVORITE FEMALE COMEDIANS
1. Catherine O’Hara
2. Andrea Martin
3. Robin Duke
4. Wanda Sykes
5. Carol Burnett

FIVE FAVORITE MALE COMEDIANS
1. John Candy
2. Joe Flaherty
3. Dave Thomas
4. Eugene Levy
5. Martin Short

FIVE FAVORITE PIN-UP ARTISTS
1. George Petty
2. Gil Elvgren
3. Alberto Vargas
4. Enoch Boles
5. Zoë Mozert

M.A.C.