The Writing Life

September 16th, 2025 by Max Allan Collins

A box arrived from the UK with a few advance copies of our new Antiques/Trash ‘n’ Treasures mystery, Antiques Round-Up. When I say “our,” of course, I mean Barb and my latest novel in the now long-running series.

Barbara Allan and Antiques Round-Up

I have watched, I guess it’s been for decades now, Barb developing into a terrific writer. She was good out of the gate, and like most of us, her improvements are somewhat incremental and don’t make themselves clear until some time has passed and those improvements have accumulated.

I know I still think I’m improving as a fiction writer even at this late date. I’ve been writing long enough to have no doubt lost my fast ball here and there, but certain craft things have improved. Or at least I’m still trying to have them improved.

Barb and I have different approaches. She is slow-and-steady wins the race. Even now, I may not spend more than two months writing a novel (depends on the novel of course), but she spends most of her writing year on one book in the series. Fiction writing is a love/hate affair, but I have always loved it more than hated, and often Barb seems to be the other way around. She always talks about the current book being the last one she’s willing to do, while I’m always looking for more books to write, as if as long as I have a book contract, that God or the Grim Reaper or whatever will wait for me to finish the current novel.

If there’s a point to this ramble, it’s how proud I am of the way Barb has risen to a truly professional level, and this latest book – which will be published a couple of weeks from now – is evidence of that.

We were published for years by Kensington, but our current home is Severn House, a UK publisher that puts a lot of their emphasis on the United States market. But we do hear from readers who dropped away at the point Kensington stopped publishing us, largely because – thus far – the series has been tricky to find in Barnes and Noble, and BAM and other of the surviving brick-and-mortar book stores.

Some of these readers don’t even know the series is continuing, and when they find out it is, want to know where they can get back onboard. Both Amazon and Barnes & Noble have the Severn House books in hardcover and e-book; and all of them eventually become available from those sellers in handsome trade paperback editions.

We have had a lot of Hollywood interest in the Antiques novels – specifically for TV – over the last fifteen years. It’s gotten very close – very – but as yet no cigar. That’s why we made an Antiques movie ourselves, Death By Fruitcake, with Paula Sands (legendary Midwestern broadcaster) as Vivian Borne and Alisabeth Von Presley (Midwest pop superstar) as Brandy Borne. We’re proud of our little movie – I scripted it from a Barbara Allan novella (Antiques Fruitcake) and Barb co-produced and served as production manager.

This past week Chad Bishop, our co-producer (and Director of Photography and Editor) and I began dealing with the “deliverables” (the things a distributor requires) for Twin Engines Global. This ranges from getting trailers and the film itself to them and making closed-captioning happen and taking lawyer meetings about getting an LLC put together and a hundred other things.

Certainly easier to just write a damn book. It was however a fun, hard, unforgettable experience, shooting and editing it and all, and I wouldn’t trade it for anything.

Meanwhile, I am almost half-way through the new Quarry novel, Quarry’s Reunion, which will be the 50th anniversary book in a series that I thought Berkley Books had killed 49 years ago…but thankfully Hard Case Crime unexpectedly resuscitated it in 2006 with the help of filmmaker Jeffrey Goodman, who made a short film from my script (A Matter of Principal) and a film version of The Last Quarry (The Last Lullaby). Fans also helped keep it alive.

I mentioned that fiction writing is a love/hate affair. Though she seldom grouses, I know Barb finds writing difficult. Funny thing is, after all this time, so do I.

I will spend a full day writing two or three pages of description and set-up for a chapter, or an hour on one paragraph; fortunately for me, the rest goes a lot faster, and dialogue scenes fly, as they need to when readers encounter them. Most of my novels are mysteries, obviously, and I re-plot them constantly as I go. Quarry’s Reunion had five or six preliminary overview outlines, and I’m on the fifth or six chapter breakdown now.

Part of this is my approach being half planning, half improvisation. I try to know enough about the story I am about to tell without mounting my horse and riding in all directions. So I know major things – like who-dun-it and why. Then I come up with a plan, a road map, a structure, that may be twenty pages long. But I try to keep it loose enough to make discoveries as I go. This has me revising the plan, changing and tweaking the trip I’m taking, as I go.

Here’s another difference between writers. Though we come up with the “Barbara Allan” basic ideas together, Barb rarely asks me for an opinion or plot help or anything while she’s writing her draft. I’m willing to help, and often offer – but I have too many ideas, too many ways to solve a problem, to do anything but frustrate her, throw her off-track. So except in cases of emergencies, I keep tabs on what she’s doing on her draft, but don’t interfere. And when I do my draft, she gets out of my way. She does read my chapters as I go, so can catch anything I’m doing that will upset the plot applecart.

I mentioned above that I sometimes spend a day on a few scene-setting opening paragraphs, or an hour or more on a transitional paragraph between breaks within a chapter. And in recent years – due, I’m afraid, to all the media around us dumbing everybody down – I get some (not a lot) of readers and reviewers complaining about what they see as needless description. I will defend that only with this: I have to see a scene in my mind before I write it; and in description – yes, even clothing – I am writing about character as much as anything.

Still, as I said to Barb the other day, “It’s frustrating to spend so much time on the stuff some readers skip.”

Here’s where you can pre-order Antiques Round-Up; it’s out on Oct. 7. It’s likely also available via the Net at anywhere else you like to buy your books.


Hardcover:
E-Book: Nook Kobo Google PLay
* * *

Here’s a review of The Two Jakes 4-K Blu-ray (from Kino Lorber) that is a comprehensive look at the film and the disc, and includes the commentary by Heath Holland and myself about the film. You have to scroll down to read that, but the whole review (my opinion is higher than the reviewer’s of the film itself, but the review is thoughtful and fair, even when I don’t entirely agree with it).

The Two Jakes poster excerpt

This a new bio of me at a Dick Tracy Wiki site. Looks extensive, though I admit not reading it yet.

M.A.C.

Another Film Fest Award and…A Tricky One

September 9th, 2025 by Max Allan Collins

I wasn’t able to attend the Iowa Independent Film Awards, as I’m still in recuperation mode. I’m disappointed I couldn’t be there Saturday for our screening. But Death by Fruitcake did well just the same.

Death by Fruitcake IIFA award
* * *

This is a tricky one for me, because I try to stay away from politics here. And my wife Barb, wisely, reminds me that people don’t come to this update/blog for such things. It’s difficult to restrain myself, sometimes; but mostly I do.

Let me say at the outset that I feel a need to let you know how events of the day have impacted my plans for the next Nate Heller novel. That’s what makes this germane, because I have mentioned, even discussed, that prospective novel several times. I’ve even presented it as my last Heller novel, and one I’ve in some respects been leading up to.

Now I may not write it at all, and you – those of you who are generous enough to follow my work – have a right to know why this book has been (at least) shelved for now or (at worst) never will get written. If there’s a silver lining, it’s that it basically means I’m considering two more Heller novels, not just one.

Also, I’m not fishing for a conversation or exchange of opinions here. Few facts are immutable, but this one is: no one ever won an argument on Facebook (or other Social Media); no one ever changed anybody’s mind on those platforms. I’m not going to try to. How you think, what you believe, is not my business.

Here’s how this transpired.

I was watching TV and saw Robert F. Kennedy, Jr., and wondered if he had, if not damaged, the Kennedy name, brought it into a kind of doubt. He strikes me as a crank, and a dangerous one; some smart people disagree, but enough people share that view – that as Secretary of Health and Human Services he is a threat to health and human services – that the Robert F. Kennedy name is not something I dare, at the moment, hang a Heller on. It may already have hurt Too Many Bullets, my Heller RFK assassination novel.

I don’t do this lightly. I first asked Barb if she agreed that this was a bad time to embark on an RFK novel (the theme was to be RFK/Hoffa, as my previous Kennedy-oriented novels have more than hinted at). She immediately agreed and said, “Write something else.” I called my editor, Charles Ardai, at Hard Case Crime and asked if he thought I should do a different, non-Kennedy novel instead of the one we’d been planning (and that I was contracted to deliver). He was thrilled I was setting that subject aside (for now anyway). I asked my longtime researcher, George Hagenaur, what he thought. He, too, said it was a bad time to do a Kennedy book.

So. I am instead going to write a Watergate novel, which was already one of two Heller novels I was considering doing, for quite a while now. It seems like a good time to deal with a cover-up.

* * *

This article celebrates the marriage of Dick Tracy and Tess Trueheart 75 years ago. You’ll have to scroll down to get to the meat of it, but it’s a nice piece.

Speaking of anniversaries, next year (2026) will mark Quarry’s 50th anniversary. The Broker, the first book’s title imposed on me (it’s now titled correctly as Quarry) went on sale in 1976. I had actually started it at the University of Iowa’s Writer’s Workshop in 1972 and finished it in 1973; but the anniversary is of the publication, not when I completed it.

Here is an audio review of The Wrong Quarry. A very nice one at that, and for one of my favorite novels in the series.

This will lead you to the wonderful blog, The Stilleto Gumshoe, where several Mickey Spillane articles appear and one of them is for Spillane, the bio by Jim Traylor and me. Good Spillane/Hammer/Velda stuff in general, but the bio review is a honey.

M.A.C.

Death by Fruitcake in Your Future

September 2nd, 2025 by Max Allan Collins

Our film, shot one year ago here in Iowa, now has a distributor! After carefully considering four options, we have signed with a distributor, Twin Engines Global.


Alisabeth Von Presley and Paula Sands

What does this mean? Starting soon – a date TBD – you will have the opportunity to enjoy Death by Fruitcake on one or more streaming services. This will be the transactional stage, which means you pay to view it. After a number of months, it will move to streamers where you can watch free, but usually with commercials.


Alisabeth, Keith Porter, Paula

If you’re a fan of the books in the Antiques/Trash ‘n’ Treasures mysteries that Barb and I write (as “Barbara Allan,” you really won’t want to miss this. And I think any of you, who follow my work, will enjoy it as well. It’s a low-budget production, of course, funded largely by ourselves; but you likely enjoy seeing the amateur sleuth antics of mother and daughter Vivian and Brandy Borne brought to life.

We will keep you alerted as to when it becomes available on a streaming service (possibly more than one) as soon as we know.


Max and Nate Collins on set

I’m also pleased to announce that Twin Engines Global will be releasing physical media – a DVD – and I will provide ordering and availability info when I have it.

I love indie filmmaking and Death By Fruitcake represents my tenth production, starting with Mommy and Mommy’s Day, continuing on through Real Time: Siege at Lucas Street Market, Shades of Noir, Eliot Ness: An Untouchable Life, my two documentaries (V.T. Hamlin & Alley Oop and Mike Hammer’s Mickey Spillane), and more recently Encore for Murder and Blue Christmas.

Filmmaking is definitely a sideline for me, at least as a writer/director. I’ve had several of my scripts produced beyond this – The Expert and recently Cap City. And I was lucky enough to land a bigtime, eventually Academy Award-winning production of Road to Perdition, as well as one season of an HBO series based on Quarry.

But I am definitely a regional director, usually operating on what would best be described as micro-budgets (the Mommy movies sported budgets that were solid for the video store era, where they saw considerable success). I am grateful to those of you who follow my novel-writing career with the support you’ve shown for these efforts.

And remember – what would the coming holiday season be without a slice of fruitcake!


On set

On set with Rene Mauck, Chad Bishop, Alsabeth Von Presley, Jeremy Ferguson, Kim Furness, Max Allan Collins
* * *

What We Did on Our Summer Vacation Pt. 3

Consider this a coda to last week’s post about my living through a hallucination-filled hospital stay, post-ablation surgery. This follow-up will not include me thinking I was trying to expose and then contain a murderer. Nothing so fun. I will make this brief, just to bring you up to date.

I returned home from my hospital stay on Thursday the 21 of this month (August). I was worn out from the mental gymnastics my brain put me through, but generally feeling okay. But over the next three days my energy declined to where I thought I might pass out any second.

Barb and I had our doctor’s nurse check my vitals. The nurse found my blood pressure to be dangerously low. We contacted my cardiologist’s office, where I was encouraged to wait two hours and have my vitals checked again. This led to another alarming result and we (Barb and I) were sent to the Muscatine ER, where after a bunch of tests I was returned by ambulance to the Rock Island Heart Center, where I’d been recently discharged.

That night and the next day were comfortable but concerning – my blood pressure was all over the place. Two great nurses, Paige and Jemma, kept my spirits up. Finally, on the third morning of my stay, my cardiologist gave me several options, the most appealing of which was getting a pacemaker.

There’s a certain irony here. Back in my Crusin’ days, I would often introduce “Ferry ‘Cross the Mercy” or “Don’t Let the Sun Catch You Crying” by saying, “Little-known fact – today, Gerry and the Pacemakers all have pacemakers!”

This amuses me less now.

As anyone who knows us will tell you, the best thing about Max Allan Collins is his wife Barbara. She stayed with me in my hospital room (which this time I didn’t imagine was a terrible hotel room or a holding cell for a serial killer) for the two nights I was there. Barb is the best partner anybody ever had.

The procedure went swiftly and well, and I was discharged on August 30. I have some discomfort and still don’t exactly have my zip – but I wrote this, didn’t I? With one arm in a sling?

No doubt God or fate or just the ticking clock will eventually defeat me. But for now I’m winning.

I will be back writing the new Quarry tomorrow – Labor Day. Aren’t you supposed to labor then?

M.A.C.

What We Did on Our Summer Vacation Pt. 2

August 26th, 2025 by Max Allan Collins

Our unusually busy summer – San Diego Comic Con, Star City Film Festival at Waukon, Iowa, and the screening of Cap City at the Last Picture House in Davenport – had us scheduling a needed hospital visit until after all of that was over. I was going in for an ablation to deal with my atrial fibrillation; I’d had this procedure before, a couple of years ago, and it hadn’t taken, i.e., my a-fib had returned.

While I’ve had a number of cardioversions – where they jump-start you like an old Buick – these had proved short-term fixes. They’re also fairly routine, while an ablation is a more serious prospect. Still, ablation is generally an out-patient procedure.

With Barb at the wheel, we set out from Muscatine around 7:30 a.m. on Monday, August 18, for the Rock Island Trinity Heart Center, where I’d had my open-heart surgery back in 2016. I was feeling quite comfortable about returning there, although the radio gave us a hit parade of songs with the word “heart” in them (“Don’t Go Breakin’ My Heart”) or were otherwise ironically off-putting (“I’m Gonna Live Till I Die!”).

We arrived at 9 a.m., knowing we’d likely have a long wait – the ablation was scheduled for 12:45 p.m. – and the preliminaries were fairly typical, although the nurses had trouble getting the necessary two I.V.’s going, and by the time they did, both my arms were in pin-cushion mode. By 5 p.m. I was awake and normal in a recovery room, but my incision was still bleeding, which meant I’d be kept in overnight for observation.

Around 6 p.m. I was moved to the adjacent, older Trinity Rock Island Hospital, to a room Barb recalls was small and less than ideal. Here is where our memories begin to differ. I thought I was in a fairly spacious hotel or motel room. I recall several nurses being introduced to me and assuring me I was in good hands. One was a male nurse, a friendly young man named Joe, who would look in on me periodically.

At some point during the night, probably around midnight, Joe informed me that I needed a procedure involving a catheter, because I hadn’t yet passed urine. I wanted nothing to do with that, and wanted to wait till the next day to talk to my heart doctor about the prospect. Joe was insistent – though always kind and compassionate – that I was in danger if I didn’t have this procedure more or less immediately.

I refused to cooperate until Joe had spoken with Barb on the phone. (She had headed back to Muscatine around 8 p.m. thinking all was well.) Barb told me to go through with the procedure and I reluctantly said yes to it. What followed was more painful than I could ever have imagined, but Joe was professional and gentle, considering.

I spoke with Barb around 2 a.m. and reported that I felt fine; in fact, very good. She was relieved and told me she’d see me in a few hours. But when she arrived at around 7 a.m., she found me agitated and confused, thinking the hospital room was my office – I remember none of this.

A noon release was already scheduled for me and Barb expedited that, thinking I’d do better at home in my normal surroundings.

But back home my condition grew worse. I was confused and behaving oddly, erratically – I cupped my hand under a faucet but didn’t turn the water on, then raised my dry cupped hand to my mouth and “drank” twice; when I went into the bathroom to shave, my electric razor was still packed away and I instead covered half of my face with soap and went dripping to Barb for approval of my efforts. None of this do I remember.

Nate’s wife Abby came over to observe my weird behavior and soon was on the phone with her brother, a nurse in Chicago, who said I should be taken to the ER immediately – I might have had a stroke.

By six p.m. I was at the Muscatine ER, taken there by Barb and Nate; I was immediately given a CAT scan (this I vaguely remember) and given blood tests. While the CAT scan looked okay, the blood work indicated I had a urinary tract infection (UTI) and walking pneumonia. An antibiotic was administered through my I.V. All of this took about six hours, during which time my family suffered far more than I did.

The ER doctor said I needed to go back to Rock Island Trinity to get an MRI because Muscatine did not have the necessary machine. To jump the queue, I needed to arrive by ambulance. This took a while to arrange, and to secure a room for me back at Trinity.

Here is where my memory, in its very unreliable state, kicks in. I am strapped to a gurney and loaded into the ambulance. In the darkness beyond, which I could view through the open rear ambulance doors, I saw a huge neighborhood enveloped in that darkness, lights on porches and elsewhere here and there like a thousand fireflies. I could see Barb and Nate and others on the steps in front of our house, as if it were a tall building and they were up several flights, watching me go.

The ambulance ride went on forever. I sensed the EMTs seated on either side of me, but mostly it was flashing lights and highway and rough ride. Barb was not with me (she had stayed behind to catch a few hours of sleep after the ordeal).

Next thing I knew I was being shown into a bizarre hotel room by a surly, eye-rolling masked female nurse. I complained bitterly – where was the bed? There was no bed! The eye-rolling, disgusted nurse gestured to her right and there indeed was a small cot in front of a curtained closet. I threw the curtain back and a strange bathroom awaited: two toilet bowls back to back; no shower or tub or sink.

The rest of this hotel room was no better and no less weird. Nowhere for clothes or possessions other than a long shelf under a big window. The TV was up high on the far wall and a chalkboard or something took up much of the rest of that wall.

I demanded to speak to the management. I was ignored. I demanded to be allowed to call Barb. That too was ignored. Finally I was agitated enough for someone in responsibility to be summoned. A management group appeared on the other side of a window and at first refused my request to use the phone. Finally they relented, but I had difficulty dialing on the phone they provided. I may have gotten through to Barb, finally, at which time I may have said, “This is the worst hotel room you ever booked for us!”

Now I began to demand to speak to the top person at this hotel, whoever that was. I was told a request for that had been put in, and the top person would be around to see me. I paced, waiting for that person to show up. A TV monitor was rolled in on the other side of the glass and on the screen a pleasant middle-aged woman did her best to calm me down. She announced she could not come to see me because she was in Nashville at a business conference.

I was furious. I’d been told I’d have a personal visit from the top executive at this hotel or whatever it was. I was starting feel like a prisoner.

I may have slept for a while. My next memory is being in a different room, a darkened room with wood-paneled walls, and several big windows onto the outer area, windows that were covered in narrow blinds. I now was being watched – held prisoner by – a nurse, but one who was not surly and was quite nice. I played up to her. Made friends.

A party was going on in the room beyond the blinds. Somehow I knew a murderer was present at the party and I wanted to expose him. But the nice nurse would not let me leave the room. I began to look between the blades of the blinds to see what was happening. It was a Christmas party, down at the far end of the room. I shouted to them but no one heard.

A man and woman, in Christmas attire, were making out by a pillar at the nearer end of the room; they didn’t respond to my cries either. Other partygoers were coming from around the corner and walking down to the party, all in festive garb. I became increasingly frustrated because some of the partygoers had moved closer to me, and were right on the other side of the glass, but still couldn’t hear me. I begged my nice nurse/jailer, watching me from a chair, to let me join the party – finally she let me lean out of the door, but it didn’t do any good. Nobody acknowledged me.

After a time the party wound down and partygoers, down at the other end of the room, departed. Someone, I’m not sure who, told me (as I remember) that the murderer had been identified and I was supposed to keep him busy. Back in the hotel room, I met the murderer, a pleasant blocky man – the janitor at the facility, I understood – who wore a medical mask.

I asked him, “Are you here to kill me?”

He did not respond. He was silently watching me, and I went into a clever speech in which I told him I was worth more to him alive. I wrote mystery novels and knew all sorts of ways to help him in his criminal pursuits. We should throw in together! He stood at the window looking out wordlessly. Finally he nodded.

Success!

At some point I came to understand that a hit team had been hired to assassinate this dangerous individual. They would show up sometime today in a harmless guise – a medical team, room cleaning staff, food delivery, etc. – and take him out. I was not told when or by whom, to make sure I didn’t give this effort away.

Barb arrived around 6 a.m. on Wednesday after my long manic night. She found a medical security man named Dana waiting (my partner-in-crime “murderer”) and found me confused, agitated, my speech disjointed and words slurring. I have no memory of this.

Around 10 a.m. I was taken for an MRI, with Barb along to assist with me as needed. The MRI revealed a possible small stroke, but not when it happened – likely was years before; the neurologist was not concerned and felt my confused state was due to the urinary tract infection.

My next memory is a tall, medically-masked apparent doctor who was giving me eye signals about the need for me to keep a watchful eye on the murderer I was tasked to contain. I thought this “doctor” might really be the in-disguise tall waiter who made us sundaes back in Davenport at Lagomarcino’s.

Barb and the minder chatted and talked, and I occasionally joined in. It was all very friendly now and I was utterly unaware of how disjointed my conversation was and how unintelligible my words often were.

At some point I took Barb aside and said I thought we should call the assassin team off – Dana was just too nice. She assured me she’d already taken care of that.

Later I found myself sitting in the front row of a theater with Barb seated behind me and one seat over. I was asked to answer some questions, for what reason I did not know. The woman interrogating was polite but patronizing, and her associate was a young woman who kept jumping up and down as if she had to go to the bathroom.

The patronizing woman would ask and I would answer, growing increasingly defensive. Barb took the woman into the hall and told her that the outrageous claims I was making – writing Dick Tracy, having a Tom Hanks movie made from one of my books – were all real. That everything I was saying was real, just coming out in jumbled order.

The woman (a speech therapist, I have since learned) handed me a sheet of paper and asked me read the sentences printed there. The first thing I did (because I now knew this was a “gotcha” situation) was point out grammatical errors in the sentences she provided. This seemed to startle her.

Later, I overheard Barb talking with Dana about her apparent plans to fly to Japan (actually, they were discussing a Japanese manga she was reading). I immediately felt she was about to abandon me. She was resting in a reclining chair while I was in the adjacent (hospital) bed. I sent a loving look her way. Nothing. I sent a scowl her way. Nothing.

I sat up and scrambled closer to her and pointed at her and said, “We need to talk – alone!”

Now, unbeknownst to me, Dana was not allowed to leave. I needed constant supervision. But Barb convinced him to step into the hall, where he watched through the cracked door.

Barb loomed over me and got her face right into mine. “I’m your wife of fifty-seven years and I love you. I would never hurt you.” My memory right now is filled with her wonderful face, tensed though it was with frustration and fear.

“You’re not going to Japan?” I asked.

“No. And we are not in a hotel room. We are in Rock Island at the hospital.”

I asked, “How can I trust you?”

She said, “Through shared experiences.”

She proceeded, with Perry Mason-like skill, to ask me questions. Did I remember going to San Diego and the comic con? The horrible hotel room at the Marriott? Yes. Did I remember driving to Waukon for the film festival? And getting stranded there? Yes. Do you really think I’m going to leave you here and fly to Japan? …No.

This cross-examination went on for some time, as she used my own logic to return me to something approaching sanity. I became more coherent. If I offered up a rush of words, unintelligibly fast, she would ask me to repeat what I’d said but slowly, a word at a time. Then the words would be clear. I began to see my surroundings as they were – for example a grotesque robot was merely a medical monitor on a stand, its haunting face – the creature from Alien affixed with a wide oval mouth – a soap dispenser.

When Dana was replaced by a young high school girl, Barb – though way overdue for a break – stayed with me through the night. I was much better, but…

…I now thought I was in a half-way house, in a much larger room with a kitchen beyond. Sometimes it was in Muscatine, at the Art Museum, other times in a sunken living room in Hollywood, where two imaginary actresses were hoping to get some roles to help pay for these nice new surroundings.

Somehow by Thursday morning I was aware I was in a hospital room. My appetite had returned and my trips to the bathroom were steadier. Various doctors visited and were pleased with my recovery. I was released from the hospital and Barb took me home.

Back in Muscatine, Nate and Abby – and our two grandkids, Sam and Lucy – brought us dinner. I was a little rocky, but so glad to be home.

Am I fully recovered? I would say so. But to me the oddest thing is that all of my memories – even now that I know what had really gone on – are rooted in the false locations that my mind conjured up.

Well, what would you expect from the creator of Quarry?

M.A.C.