Posts Tagged ‘Return of the Maltese Falcon’

Now Hear This – Sam Spade Speaks

Tuesday, January 27th, 2026

The audio book of my novel Return of the Maltese Falcon is available now.


Digital Audiobook: Nook Kobo Google Play Apple Books

Here’s a preview of the narration by Dan John Miller:

Let’s talk about Dan John Miller for a moment. I have two narrators of choice (and I’m usually asked by the audio publisher who those narrators are). One is Stefan Rudnicki, who took over for Stacy Keach on the last batch of Mike Hammer novels, and has become the voice of Quarry.

The other is Dan John Miller, who has done quite a bit of my stuff but is most importantly the voice of Nate Heller. You can hear him as Heller most recently on The Big Bundle and Too Many Bullets.

Another narrator who is a favorite of Barb and mine, who has done the last several Antiques novels, is Gabrielle de Cuir. We’ve not been fans of previous readers, one of whom read Vivian Borne with a Southern accent (!). (Yeah, Iowa is definitely the deep South.) She has also read, with full sound effects and scores, the Fancy Anders novellas. (We’ve had a recent nibble on my completed Fancy Anders novel – I’ll let you know if/when that happens.)

Return of the Maltese Falcon seems to be doing very well, with the exception of apparently Barnes & Noble, who don’t seem to be stocking it very aggressively.

Why? (You may ask.) Barnes & Noble bases its orders by an author on what the previous author’s book’s numbers were. They seem to routinely carry my stuff, but in the mystery section with a copy or two. That we have scored three rave reviews by the three industry reviewing services (Publisher’s Weekly giving us a starred review), are doing well at Amazon, and that this is a sequel to what is widely considered the best private eye novel ever written, appears to carry no weight.

Don’t know what I can do about it, although if you are a regular shopper at a Barnes & Noble (as I am), and you don’t see the book, please inquire and make a small fuss. Small. If you want to order it from the store (a process that seems rather pointless in these online days), do so.

Also, if you are hardcore enough, snap a photo of Return of the Maltese Falcon in the wild – particularly if it’s a Barnes & Noble. I will run it here. A photo here represents what J. Kingston Pierce of the essential Rap Sheet sent along.


Madison Books, Seattle. Photo: J. Kingston Pierce.

Meanwhile, terrific notices keep coming in.

Here’s one I’ll share with you by Craig Zablo, who knows his stuff (that dreams are made of).

RETURN OF THE MALTESE FALCON

First sentence…
“Samuel Spade, leaning back in his swivel-chair, studied the modest pine tree that might have sprouted tinsel-trimmed from where his late partner’s desk had till lately stood.”

The Overview: Beware of Spoilers…

THEN…
Detective Sam Spade was pulled into the search for the legendary Maltese Falcon, a jewel-encrusted gold statuette intended as a gift for the 16th century King of Spain. Spade’s partner was murdered. Spade was the prime suspect.

Brigid O’Shaughnessy who hired Spade, was willing to use money, her female charms and anything else to get Spade’s protection from criminals after the Falcon. The others were Casper Gutman, an obese gentleman malefactor and his thugs, Cairo and Wilmer Cook. Gutman depended on his brains and lies. When that didn’t work, Cairo and Cook would use their guns.

In addition to Spade’s partner, two others were killed in pursuit of the bird. Turns out Brigid was the murderess. She’s now behind bars. So is Cairo. But the story doesn’t end there…

NOW…

About a week has passed since Sam Spade’s life was upended. Rhea Gutman, the teenage daughter of Casper Gutman, wants to hire Spade to find the Maltese Falcon. Rhea informs Spade, her father was murdered, but she wants to complete his life’s mission. Rhea believes the Falcon is somewhere close. Spade accepts her retainer.

In short order, Spade is approached independently by several people who also want the Falcon.

Dixie Monahan, an infamous and dangerous Chicago gambler. He has no legal claim to the bird, but sees an opportunity to make money.

Corinne Wonderly, the younger sister of the imprisoned Brigid O’Shaughnessy wants to get and sell the Falcon. She plans to use the money raised to help her sister get a good lawyer.

Stewart Blackwood is a British Museum curator. He claims that he legally purchased the Maltese Falcon and it was stolen. Blackwood has a bill of sale.

Never one to turn down money, Spade accepts retainers from each.

Spade then works to untangle the lies, double crosses, twisted motivations and shifting alliances brought on by greed and self-preservation. Several people have already died in pursuit of the jewel-encrusted bird.

More will as well.

+++++

Recently Max Allan Collins gave away several copies of Return of the Maltese Falcon. I was a lucky winner. Truth be told, I would have bought a copy had I not won one.

Collins is an author that I follow. I’m a huge fan of Max Allan Collins’ Nate Heller series. Every new Heller tale is a must-buy for me. Collins also completed several of Mickey Spillane’s Mike Hammer novels (from partially finished manuscripts and outlines). I’ve read almost all of them. Collins’ Quarry crime novels are also good. I’ve read some of them. Same could be said for Collins’ Ms. Tree comics, his Dick Tracy strips and his movie adaptations and other novels. Max Allan Collins can be counted on to deliver a great tale each time out, but it’s his Nate Heller series that does it best for me.

Return of the Maltese Falcon shouldn’t be thought of as a sequel. It’s a continuation of the story. Taking on Hammet’s classic characters was a bold move. I’m very happy to say that Collins met the challenge.

Collins is to be commended. Not only for daring to step up and continue Hammet’s classic, but also for his ease at transporting readers to 1928 San Franciso. Collins take on Spade and the other characters feels like Hammet from their motivations to dialogue. Collins’ humor (just the right amount) and witty dialogue shine. The plot twists are unexpected, but not outlandish. They work to provide a surprisingly and satisfying climax.

Return of the Maltese Falcon not only reaches the bar set by Collins’ Nate Heller novels but that of Hammet in the original tale. I don’t say this lightly.

I’d love to see Collins provide us with another Sam Spade outing. Maybe even one that crosses over with Nate Heller.

Return of the Maltese Falcon gets my highest recommendation.

Rating: FIVE STARS

Here is another one:

Marvin Minkler – Modern First Editions·
Return of The Maltese Falcon.
Max Allan Collins.
Hard Case Crime/Titan Books.
First Edition – January 2026

“Don’t be too sure I’m as crooked as I’m supposed to be. That kind of reputation might be good business – bringing in the high-priced jobs and making it easier to deal with the enemy.” – Sam Spade in Dashiell Hammett’s The Maltese Falcon.

What ever became of the Maltese Falcon…

Closed the covers on this deeply satisfying journey back to San Francisco 1928, and to the Spade & Archer detective agency office of Sam Spade, soon after the events of Dashiell Hammett’s classic novel, The Maltese Falcon ended.

Max Allan Collins has penned a well written, researched, and respectful sequel to the search for the “dingus” as Spade calls the golden bird.

Familiar faces return; alluring femme fatales beckon, grifters, killers, and cops. The pages fly by, the chase is on, and as the plot thickens, bodies fall, the reader is pulled in, enjoying the ride, and loving it all. This is a damn fine book.

The author’s respect for Hammett and the genre is apparent on every page. As Max Allan Collins writes in the epilogue the novel is “a kind of love letter to Dashiell Hammett and the private eye form.”

Highly recommend.

* * *

I don’t talk politics here except very, very rarely. I do this because I want to respect the opinions of others and, frankly, I have no desire to alienate friends, which is how I view anybody who reads my work and comes back for more.

There is always, as Pee Wee Herman wisely said, a big but.

Last week I posted a link to an article critical of the Trump Administration. I didn’t do it here: I mean for this to be a politics free zone. But some of what’s been going on, particularly in my neighboring state of Minnesota, where some of Barb’s relatives live, makes it tough to stay silent and live with myself. The people up there are almost as nice as those in their neighboring Canada.

I got about fifty “likes” or “loves” from it, and a dozen comments, mostly favorable. A couple weren’t and one of them troubled me – not because of a political disagreement. Two things stop me from posting or responding to political stuff because (a) a few years ago I lost one of my best friends that way, and (b) nobody – NOBODY – ever won an argument on the Internet. Zero minds have been changed.

Still, I’d had enough and said so by sharing an essay by the Bulwark’s Jonathan V. Last, a writer I much admire.

Now as to the troubling comment. I am not going to reprint the writer’s name because I have no wish to embarrass or shame him, nor do I want to pick a fight. I only share this because the writer is fellow fiction writer, a thriller and private eye novelist who appears to be quite successful. I’d never heard of him but that means nothing. The only fiction writers I pay attention to are dead ones.

This is his post: “You should have continued to stay away from politics. Now you’re just another asshole. Goodbye.”

Let’s start with the last bit: I don’t recall meeting or engaging in any way with this fiction writer. Maybe I have – I’ve been to a lot of Bouchercons and Edgar Awards dinners, so, yes, I may have. If so it was friendly. I can say this because I have never had anything but friendly meetings with fellow wordsmiths at either Bouchercon or the Edgars.

Let’s go to the first sentence: he’s probably right. I should have stayed out of politics for the reasons I’ve stated above. I particularly don’t want to do it here, because that’s not what you’ve dropped by for. You (thank you for this!) are interested in what books and movies and so on I have coming out, and maybe enjoy the occasional essay I write here about pop culture.

It’s the middle sentence that troubled me.

Hey, not the first time I’ve been called an asshole. My father routinely called me a smart-ass and I seem to have survived that.

It’s the rudeness, I guess, the lack of civility that kind of stunned me. I shouldn’t have been – because people for years have gone to Facebook and its ilk to misbehave, to say things to people they wouldn’t dream of saying to their faces.

I try to imagine an instance where I would call someone an asshole in public, much less one who was a fellow toiler in the mystery game. I am not famous but I am known within the field. There are other ways to be displeased with me and my opinions then saying goodbye to someone you never said hello to, as well as call that person an asshole in an apparent attempt to, what? Embarrass them?

A lot of things are going on right now that are worth complaining about. But must we cross the line into truly hateful speech? Mickey Spillane and I did not agree on politics, but it never got in the way of the greatest friendship I ever had with a fellow writer…and I’ve had some good ones. I mean, he fucking entrusted Mike Hammer to me. We did talk politics, rarely, but it never got nasty. We were friends. Fellow Americans. Fellow humans.

Before we all start holding hands and singing “Kumbaya,” let me just say one political thing and then I’ll stop: I know Nazi shit when I see it.

* * *

I completed my draft of Antiques Web (from Barb’s excellent draft) a day ago, and tomorrow will start the final read-through and tweak. That usually takes two days.

So we are very close.

I have also confirmed that there will be a DVD of Death by Fruitcake (the Antiques movie) out in February, simultaneously with its POD release. Much more later.

Also more on the Star City Festival and the upcoming wide release of the audio drama, True Crime: The Assassination of Anton Cermak.

* * *

Our friend Dave — caught in the wild reading Quarry!

Here’s a nice write-up about the Quarry novels and the forthcoming 50th anniversary novel in the series, Quarry’s Reunion.

Both Baby, It’s Murder (the final Mike Hammer) and Antiques Round-up (the most recent Antiques novel) are on Glen Davis’ favorite books of 2025.

One of Marshall Rogers’ 13 lasting contributions to Batman is my brief collaboration with him, launching the Batman comic strip.

Thanks for listening to my non-political political rant.

M.A.C.

Falcon Nice Reviews (Get It?)

Tuesday, January 13th, 2026

I am happy to report that the reviews for Return of the Maltese Falcon thus far have been overwhelmingly positive. While proud of the book, and delighted to have had the chance to write it, I have braced myself (at my smart wife’s instructions) for what might be reviews in the “who do you think you are?” category.

That reaction is understandable.

My only justification is that the novel was written out of love and respect for Dashiell Hammett and his great novel. I was writing it essentially for the adolescent I’d been who desperately wanted to read another Sam Spade novel.

When I began reading mystery fiction, and became obsessed with Mickey Spillane and Mike Hammer, I knew that Mickey hadn’t written a Hammer novel in almost ten years. Imagine my delight and astonishment when in 1961 (nine years after Kiss Me, Deadly) Mickey gave his readers The Girl Hunters.

I knew, with The Maltese Falcon coming into the public domain, that Sam Spade would inevitably be subjected to the kind of nonsense that Winnie the Pooh, Popeye the Sailor and Steamboat Willie have, by way of “inspiring” bottom-feeding horror features. Higher up the food chain, but not necessarily involving writers who understood and respected the material they were drawing upon, new Sam Spade stories would almost certainly emerge. Paging James Patterson.

I wanted to be first and (at least try to) do it right.

Here is a review at Book Reporter that I particularly liked seeing, as the reviewer seemed to understand and appreciate what I was up to.

You may be interested in checking out this interview from Alex Dueben at CrimeReads, which is different from most of the many other interviews I’ve given over the years. Frankly, I usually request questions in writing and will respond accordingly – e-mail interviews. I can control what gets out there.

This interview, however, was actually transcribed and presented as spoken. It is long, and I thought pretty good, if exposing my loquaciousness (like that needed exposure). I was given the opportunity to go over it, and corrected a couple of things, but mostly got out of Alex’s way. I wasn’t happy with how long-winded I was, but relieved I spoke in actual sentences…a novelty these days.

There is a quite gratifying post on Linked-in from a longtime fan (he used to write into the Ms. Tree letters column, SWAK, frequently) – Wylie Wong. I love that name. It has music.

Anyway, I’m going to share his nice write-up with you.

I need to fanboy for a bit. Max Allan Collins – best known as the author of Road to Perdition – is the reason I grew up wanting to be a writer. And he just sent me an autographed copy of his latest novel, Return of the Maltese Falcon.

As a teen, I devoured his Ms. Tree comic books and mystery novels. I loved his work so much that I wrote him a 12-page fan letter. Somewhere in my gushing praise, I mentioned I couldn’t find two of his out-of-print novels. A month later, Collins responded with the coolest Christmas gift: those two books – autographed.

Later, I met him at San Diego Comic-Con and went full geek with a backpack full of his books to sign. He graciously spent 20 minutes chatting and signing, then told me he was publishing a condensed version of my letter in Ms. Tree. That fan letter became the first thing I ever had published.

When I went to college, I double-majored in creative writing and journalism, curious about a career in either fiction or non-fiction. Collins influenced my writing in unexpected ways – I even fell in love with the em dash because of him – and I’ve used it ever since. (So screw you, AI. I used it first.) But I enjoyed journalism too much, so I dropped creative writing and focused on telling true stories instead. No regrets.

Fast forward to 2024: Collins announced he was writing a sequel to Dashiell Hammett’s The Maltese Falcon. I loved the original book. I loved the movie. A sequel from my favorite author? I’m all in.

When the book came out this week, Collins offered free copies to the first 20 people who promised to write an Amazon review. I wrote to him saying I’d already pre-ordered a copy but would love to be included. I told him I was still a big fan and shared that after college, I lived on Leavenworth Street in San Francisco, two blocks from where Hammett lived and supposedly finished the Falcon. On cold, foggy nights, like SF Chronicle columnist Herb Caen, I’d imagine Sam Spade tromping up and down the hills.

Collins responded saying it was a “terrific email” and he’d send me the book and to “feel free to read the hell out of your other copy.”

I don’t know if he even remembers me. But receiving this book brings me right back to my teenage years, reading voraciously and learning good storytelling.

Oh, and for the record: I have the real Maltese Falcon in my home office. Photo as proof.

Thank you for this, Wylie. Good reviews, and particularly rave reviews, feel great – but a piece like yours goes way beyond anything of those.

M.A.C.

Hey Kids! Sam Spade Book Giveaway (and More)!

Tuesday, December 30th, 2025

January 6, 2026, approaches, meaning Return of the Maltese Falcon finally goes on sale at Amazon, Barnes & Noble and the usual suspects. (Hardcover: | E-Book: Nook Kobo Google PLay Apple Books)

[All copies have been claimed. Thank you for your support! –Nate]

We are celebrating with a free book giveaway – thanks to the kind folks at Hard Case Crime (“folks” being editor/publisher Charles Ardai), I have secured 20 copies of my Sam Spade sequel for the first twenty among you who contact me (with apologies to Nero Wolfe for using contact as a verb) at macphilms@hotmail.com requesting a copy. I will sign and (if you request it) personalize these copies.

The rules: you must include in your e-mail your snail-mail address (even if you’ve won before); and you agree to write a review at Amazon and/or Barnes & Noble. Reviews on personal blogs are also encouraged. (If you dislike the book, you are encouraged not to review it!)

If you review for an on-line mystery site and want to review it, let me know and I’ll get you a copy, not from this batch of twenty.

Unfortunately, no Canadian or other foreign entries can be honored. International postage rates are higher than ever (aren’t tariffs wonderful?). I wanted to send a friend in Germany a copy and it would have cost $80.

IMPORTANT: DO NOT SUBMIT YOUR AMAZON REVIEW OF RETURN OF THE MALTESE FALCON BEFORE PUBLICATION DAY, JANUARY 6. THEY WILL NOT USE IT OTHERWISE!

Those of you who have already pre-ordered, thank you. And anyone who picks this up, thank you, paying customer!

This is an important book for me – both in the creative sense, bringing my love for private eye fiction full circle, and in trying to stay relevant in a publishing landscape where many of my readers are (choke) no longer with us, and lots of my editors have retired. Plus, publishing generally sucks.

I have been lucky so far to stay afloat thanks to the loyal readers who have stuck with me or discovered me recently and liked what they saw. Barb and I are grateful to all of you.

Speaking of Barb, she is just finishing up her draft of Antiques Web for Severn House and I will be starting my draft at the beginning of January.

Thank you all of you again, and let’s have a better 2026. Shouldn’t be hard, but it likely will be.

* * *

In the meantime, check out this great review from Kirkus, the third of the three major book review outlets to give a rave or near rave to Return of the Maltese Falcon. This is especially gratifying, since in the past Kirkus has frequently implied that my true calling was my previous job: sacking groceries.

RETURN OF THE MALTESE FALCON
Max Allan Collins

Did you ever imagine that The Maltese Falcon could spawn a sequel? Well, Collins has, and although it’s no match for Dashiell Hammett, it’s surprisingly successful on its own terms.

After all, Hammett’s novel ends a bit up in the air, with (spoiler alert) Brigid O’Shaughnessy on her way to jail for killing Sam Spade’s partner, Miles Archer, but scheming, bloated Casper Gutman’s gunsel Wilmer Cook escaping after the precious falcon behind all the novel’s intrigue is revealed to be a phony. So why shouldn’t Gutman’s daughter, Rhea, call on Spade just a week later, as Christmas 1928 approaches, to hire him to track down the bird that the untrustworthy supplier, Russian general Kemidov, replaced with a fake? Spade agrees, and soon he has a stable of four clients—Rhea, Chicago gambler Dixie Monahan, British Museum curator Steward Blackwood, and Corrine Wonderly, Brigid’s kid sister—each of whom, unknown to the others, has paid him a retainer to locate a treasure none of them intends to share with anyone else. There’ll be more fatalities, of course, including two members of the original cast, before Spade gathers his clients together for a Christmas party at which he stages exactly the sort of denouement Hammett consistently took pains to avoid in all his fiction. Collins’ dialogue sounds pleasingly like Hammett’s; his plotting is even twistier; and if his descriptions mix Hammett’s terse, affectless minimalism with Raymond Chandler’s fondness for florid similes, that’s clearly, as he notes in an engaging coda, his intention.

Fans convinced that nobody could possibly continue a tale that ends so definitely owe it to themselves to give Collins a try.

* * *

Christmas may be over, but ‘tis still the season (for a few days anyway), so if you haven’t already watched our little micro-budget movie Blue Christmas, there’s still time to view it in a Yuletide context.

We’ve recently been accepted on You Tube, after jumping through a few hoops, but it’s available a bunch of places:

Tubi, Fawesome, or rent/buy it on Amazon Prime Video, with it sometimes appearing on library services like Hoopla. Some of these involve commercials – Tubi, I believe, opens with some ads and then the movie plays without further interruption.

I found the following review most insightful. If you’re a fan of the movie or of my work in general, check this out.

* * *

The HBO/Cinemax series Quarry, based of course on my book series, is number 2 on this list of worthwhile shows you may have missed, describing it as having a “beautiful visual style, and a gripping story – Quarry is an underappreciated classic worth discovering.”

I wrote an episode of the series and received a sole screen credit, but actually it was spread across two episodes by another writer who took the other sole credit. Just a Hollywood thing.

I’m proud of the show and, if you like the book series, you will probably like it. It does lack the dry humor of the novels, and moves the action to Memphis (one of the Quarry novels does take place in Memphis, Quarry’s Climax). And the concept of Quarry tracking other hitmen for targeted clients was something set for the second season (for which I wrote an episode and was paid for doing so) that never happened.

My understanding about why that second season did not get a greenlight is that the show runner and star clashed, refusing to work together again. That’s not a fact, just what I heard from insider sources. Again – Hollywood.

The real Quarry is coming from Hard Case Crime in 2026 in Quarry’s Reunion, but that will be late in the year.

2026 is all about Return of the Maltese Falcon.

M.A.C.

Call a Spade a Spade

Tuesday, October 28th, 2025

The cover of my forthcoming (January 2026) novel, The Return of the Maltese Falcon, is turning up here and there online…so I’ll join in.

Return of the Maltese Falcon cover
Coming January 6!
Hardcover:
E-Book: Nook Kobo Google PLay Apple Books

And I’m pleased – frankly, thrilled – to share this Publisher’s Weekly advance review with you:

This stylish sequel to Dashiell Hammett’s The Maltese Falcon from MWA Grandmaster Collins (To Live and Spy in Berlin) picks up in December 1928, just days after the events of the previous novel. Rhea Gutman, daughter of late gangster Casper Gutman, asks PI Sam Spade to recover the eponymous, jewel-encrusted artifact. During the course of the investigation, Spade’s former lover, Iva Archer – who’s also the widow of his late investigative partner, Miles – demands a share of any profits from finding the falcon that might have gone to her husband, and drags Miles’s mob-connected brother into the picture to make sure she gets what she wants. When Wilmer Cook, Gutman’s vengeful former gunman, ambushes Spade, it’s clear he isn’t the only one hunting the falcon; Chicago gambler Dixie Monahan is after it, too. Then there’s British Museum curator Stewart Blackwood, who claims the museum legally owns the falcon after purchasing it from the original owner, General Kemidov. Navigating shifting allegiances and playing multiple sides, Spade races rival interests to claim the falcon for himself. Collins keeps the prose lean and sharp, true to Hammett’s style, and ushers the proceedings to a tidy conclusion. It’s a clever, well-executed tribute the hardboiled tradition. (Jan.)

I’ve discussed how I came to write this novel elsewhere, but – to recap briefly – I had long been keeping my eye on the status of the original Maltese Falcon, re: public domain status, and was proactive (as they say) about trying to be first in line to take advantage of that status.

I love The Maltese Falcon – it’s my favorite book – and have fantasized about writing a sequel for years. I was frustrated by there only being one Sam Spade novel, and was ecstatic in high school when I stumbled across a copy of a paperback called The Adventures of Sam Spade, which included Hammett’s only three short stories about the seminal private eye.

Now, I realize there were fictional P.I.’s before Sam Spade, notably Race Williams, the prototype for Mike Hammer (Daly was Mickey Spillane’s favorite writer as a kid). But Spade was the template – the whole private eye genre so many (me too) followed was there, from the secretary in love with her private eye boss to the cop friend, from the cop adversary to the menacing thug, from the femme fatale to the formidable crime boss. It was – and is – all there…a genre Hammett in effect invented, perfected, and almost immediately abandoned.

As a kid – maybe 10 or 11, and already in the sway of detectives Dick Tracy and Sherlock Holmes – I heard The Adventures of Sam Spade on the radio. I’m not sure how, as the timing is wrong – the series was a ‘40s and very early ‘50s phenomenon, and I was too young. Maybe a nostalgia broadcast of some kind. But somehow I have that (maybe false) memory.

Something that is not a false memory – yet makes almost as little sense – is my seeing and enjoying the Sam Spade comic strip that appeared sporadically in Sunday newspaper comics sections. This was an ad disguised as a comic strip from Wildroot Cream-Oil (who later placed Li’l Abner and Fearless Fosdick ad/comics in newspapers and magazines). These were usually beautifully drawn by comic-book genius Lou Fine.

Why I know about this strip, I’m not sure – because of Dashiell Hammett’s clash with Joe McCarthy over the former’s communist leanings (and Spade star Howard Duff being similarly tarnished), The Adventures of Sam Spade became The Adventures of Charlie Wild before sputtering out around 1951.

And I have no memory of Charlie Wild.

Yet somehow Spade got on my radar. This may be due to my obsession as a youth with comics, particularly newspaper comics, as I would snatch up any old comics sections or even pages I came across. This is vague in my memory, as I say, but I do remember both the Spade radio show and the Wild Root ad/comic Sunday page feature (which was, I think, also printed in comic books and I was always snatching up older comics when I ran across them).

It’s not the famous movie that got Spade on my kid radar. I didn’t see that until I was in junior high and caught up in the private eye fad on TV (Peter Gunn, 77 Sunset Strip), which led me into reading the book series that many of these shows were based on.

I haven’t listened to many of the Spade radio shows over the years, because once I read The Maltese Falcon, I realized those shows were spoofy versions of a very serious (in the best sense) fictional character and his world. The series did adapt some Hammett stories early on (not Spade ones, to my knowledge) and a Falcon sequel I’ve never heard, either. This series is interesting to me only in having ingrained Spade further into the pop culture.

The three Spade short stories, incidentally, were published in 1932 and are probably a result of the first Maltese Falcon film (1931) with Ricardo Cortez as Sam. This version is better than it’s cracked up to be, as it’s pre-Code and includes Brigid’s enforced striptease. Donald E. Westlake liked the first attempt and recommended it to me. He even had it screened at one of his Mohonk mystery weekends (I was the murderer in the game, by the way).

Nobody likes the second version, Satan Met a Lady (1936). The detective (Warren William) isn’t even called Sam Spade, although the film’s title seems to refer to Hammett’s description of Spade on the first page of The Falcon.

I made a point of avoiding re-screening either the ‘31 or the ‘41 version (and or course didn’t bother with Satan Met a Lady, even if it did have Bette Davis in it). I wanted – needed – to focus on the Hammett novel itself and not attempt any tie to the Warner Bros film.

That may seem odd, since John Huston’s Maltese Falcon is famously incredibly faithful. Legend has it the screenplay was just Huston’s secretary typing up the dialogue from the book for the director, and then that “script” got accidentally green-lighted. Probably apocryphal, but a wonderful story nonetheless.

And to bring Don Westlake back into it, we shared with each other that we’d both followed the movie along in the book.

How is the Huston film different from its source? Mostly it’s Bogart. The Spade of Hammett’s novel – and mine – lacks the warmth that peeks out, and sometimes surges out, from Bogie’s Sam. But Sam Spade as Hammett conceived him was self-contained and even cold. The book and the famous film also have a slightly different tone – the jaunty score is a factor.

I do wonder how many readers of my novel will picture Bogart as Spade, despite my echoing the Hammett description of a blond Satan.

You can pre-order the novel here.

Hardcover:
E-Book: Nook Kobo Google PLay Apple Books

M.A.C.